Good points! But I have to disagree with a few things.
Prince basically created the Minnieapolis sound: the Time, Sheila E, Vanity, etc.
Rick had a different style of voice, but Prince could hold his on with his falsetto
As a song writer, you are dead wrong. You know how many hits Prince had from the late 70s to early 90s. Rick was hot for a period during the mid-80s, but fizzed out due to drugs.
Rick got like 3 classic slow songs, while Prince got a few CDs worth.
Finally, he was doing all the baddest chicks: Vanity, Sheila E, Kim Beashinger, Christie Alley,etc. (he even had them talking on his sex tracks).
You know Prince's work has been performed by symphony orchestras
I wont dispute anything you said except maybe the females. Rick's book details a life of constant women and coke(lol). Plus Prince was a feminine midget& there are a few tall women that dont like short dudes with mascara. Prince was mainstream so more people were aware of his talents but Rick was that dude:
In 1978, James released his debut solo album,
Come Get It!, in which he played most of the instruments on the album (as he would for his next two albums afterwards before including members of his Stone City Band to back him in the studio). The album launched his solo career, thanks to the funky disco hit, "
You and I", and the much smoother,
soulful "
Mary Jane". In early 1979, he released his second album,
Bustin' Out of L Seven, which like his previous album, focused on producing a concept project. "L Seven" was named after a street on which James grew up in Buffalo. Referring to himself as "one of the baddest and best looking mother-****ers of all time," he followed this success with
Fire It Up, and headlined his first tour in support of the album, which saw then rising former artist
Prince opening for him. James' cordial relationship with Prince coined his catchprases "THE MILKS GONE BAD!" causing the tour to become strained after Prince, according to James, stole all the biscuits from his act to hype the audience. He got so fed up with this that he canceled the rest of the tour.
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After a setting fire to his fourth album,
Garden of Love, in 1980, in which he traded most of his disco/funk origins for a more pop-R&B flavored project, he returned to the top with the grittier
Street Songs, which was also the first to include
rock and
new wave elements, particularly in the album's leading single, "
Super Freak", which became James' biggest pop hit, reaching number-sixteen on the
Billboard Hot 100 and later winning him a
Grammy Award nomination. Due to this single, the follow-up top 40 smash, "
Give It to Me Baby", the
Teena Marie duet "Fire and Desire", and "Ghetto Life",
Street Songs peaked at number-one on the R&B album chart and number-three on the pop chart, going on to sell more than three million copies; this became James' biggest-selling album and made James famous. In 1982, just as the hype from
Street Songs dropped, he released the gold-selling
Throwin' Down album, and followed that up with another hit album,
Cold Blooded (1983), which included the
hit title track. James continued to score hits with Motown into 1985 but by the end of that year he had begun to have struggles with the label.
Following the release of
The Flag in 1986, James left Motown and signed a lucrative deal with
Warner Bros. Records, releasing the album,
Wonderful, in 1988, which yielded the R&B hit, "Loosey's Rap". The video for the song was banned on
MTV and
BET for sexual content, which James labeled hypocritical. After the release of the UK-only 1989 album,
Kickin', James' recording career slowed as he struggled with personal and legal problems. In 1997, a year following his release from prison for assault charges, James released his first new album in eight years,
Urban Rapsody. Though James returned to live performances to promote the album, he stopped performing for a while after suffering a stroke following a show in Denver in 1998. Prior to the concert, James was interviewed on
VH-1's
Behind the Music, where he openly talked about his life and career and also mentioned his drug use, which he said was behind him.
During James' Motown heyday in the late seventies and early eighties, James found himself in demand and was asked to produce
Teena Marie's long-awaited debut album. James originally had planned to produce a full album for
Diana Ross but when Motown told him they only wanted four songs from James, he gave the songs up to Marie, including the duet, "I'm a Sucker for Your Love", for her debut album,
Wild and Peaceful. The album launched not only Marie's career but a personal and professional relationship between James and Marie, which continued until James' death. In 1982, he was asked to produce a song for
the Temptations' upcoming album,
Reunion, after former members
Eddie Kendricks and
David Ruffin returned to the group for their ill-fated reunion. The song, "Standing on the Top", became a top ten R&B hit and James was credited in the song not only as a writer but as a duet singer, as well.
In 1983, he collaborated with longtime idol
Smokey Robinson on their hit song, "
Ebony Eyes", which became a top 30 hit on the R&B charts. That same year, he produced his longtime background vocal group the
Mary Jane Girls, with their
self-titled debut album, featuring the hits "All Night Long" and "Candy Man". The Mary Jane Girls originally consisted of Joanne "JoJo" McDuffie (lead/background vocals) and longtime session singers Julia Waters and Maxine Waters. The trio had long sung with James, who later included Kimberly "Maxi" Wuletich, Candice "Candi" Ghant and Cheryl Bailey (who used the stage name Cheri Wells) to join the group, though they didn't sing on the original records. After Wells left, she was replaced by Yvette "Corvette" Marine. In 1985, the group's second album,
Only Four You included their biggest hit, "
In My House: "JoJo" continued to sing lead and contributed to the backgrounds with the Water Sisters, as the other group members could not sing at all or were extremely limited vocally. Rick's band sang for the group with JoJo for concert tours. James also produced a couple of albums for his Stone City Band, releasing material by the group in 1980 and 1982 respectively. Also in 1985, James produced and wrote the
Eddie Murphy hit "
Party All the Time"; he also sang on the track. Following James' descent into drug abuse and his exit from Motown, the Stone City Band and the Mary Jane Girls both dissolved in 1987. Both groups reunited following James' release from prison in 1996.