thats exactly what i am talkin about i been trying to tell fellow producers this and everyone acts like im crazy good to kno im not the one thinkin that way anymoremy best advice is to work on everything and work with everything within a limit. I'll never sell a beat below $100, i just cant do it, it makes no sense for me to do it but if a person can scrounge up 100 bucks i'll work with them. you just wanna get on everything, every project, every artist. Free if its a decent sized project as far as promo, and Paid if its just from some unknown rappers. but the more your name is out there the more opportunities you get from companies outside of the direct music industry
your beats are like a sponsorship honestly. Truthfully i used to be against paying rappers for beats. But if i could get a jay-z song for 10k.. i could make that money back by selling beats to nobodies for 500-1000 bucks a beat EASILY
producers gotta start looking at their career like theyre artist. Its like paying for a feautre. the bigger your resume and things you've worked on and people you've worked on, the more money you can charge up and comers
---------- Post added at 08:18 PM ---------- Previous post was at 08:16 PM ----------
i love this way of thinkin leaves those who are broke as **** in the dustdevelop talent, you wanna have Ownership really. you wanna be in control. I hate sending in beats to A & Rs and playing the waiting game.
producers are artists, theyre getting clothing sponsorships and watch sponsorships, so you gotta move accordingly. you want Rick Ross on your beat? easy 5k. negotiate the terms and get your royalties split, then both parties are gonna promote, now you got something on your resume and you making money off it. you gonna make money off the record, and then off producers who want your sounds and upcoming artists who need beats and will pay you
Just like Guetta & Diplo do, thats what urban producers gotta do. to make some nice dough
---------- Post added at 08:21 PM ---------- Previous post was at 08:18 PM ----------
karma homie he bit to come upI think his buzz wore off... TOO MANY producers bit his style unfortunately.. half of soundclick are lex luger beats.. also he changed his style up ... he's not on his trap shit as much.. he's using different sounds and sampling... that's obviously not his strengths yet.. but we'll see.. but I do agree his buzz def went all the way down..