
ProducerJC
IndieHost
This post gives direction. The best motivation comes from within. Keep it 100 : )
this post gave me soo much motivation
this post gave me soo much motivation
are there any "REAL" music producers in here?
Depends what you consider a real music producer.
All of you anti-industry cats who think you're above the system might as well quit today and not even waste your life chasing something you fundamentally aren't even prepared to work for.....
Real producers know who they are : ) and make it known. I'm looking for the producers that are ready to step it up a notch; the "REAL" producers.
I'm in.
Based in Los Angeles
^ lol yea thats is swag. thats whats up tho.
Keep in mind that placements do not equate having a career. There are a boatload of producers (some you know by name trust me) that have placements under their belts and are living on their last few dollars and/or are living off family members fronting or have quietly slipped back into the 9 to 5 world because they refuse to look at themselves as a business and instead placed their total value on their current 'industry status'. If you dont have hit radio records under your belt then your not seeing any back end money because only a handful of artists can sell enough albums to be recouped because your royalties come from their side not the label (and no new producer is getting Record One royalties PERIOD).
Lets not talk about publishing because almost all these new producers are getting ROBBED of their publishing if they 'luckily' land on a major artist project. Of course you will never hear them admit that because its not sexy to say I'm only getting 15% of the pub after my manager takes his piece, the A&R exec takes his piece and the shadow industry goon takes his. Since the game is for the most part single driven (album format is now forever NICHED) the whole 'i'll make a long term career as a for-hire placement producer is just about over. Do you base your future on a outdated business model or do you set yourself up for the future where the growth is?
Keep in mind the labels will not cut you a dime until the song is certain to go to retail (unless your a A level major player which nobody on this board is) so most of the songs floating around are stuck in 'promotional hopefully the label may cut a check' limbo indefinitely. And how much money are talking? Less than 5k for new jacks and that number is going straight down to ZERO (Some are already operating at a bartering level but I won't call their names out and kill the fantasy...yet lol). If you call 3 OFFICIAL placements a year (at the grand total of 15K before other hands get their piece) financial success I call it poverty unless its just one part of your attack plan.
So the whole point? If you're brand new to the business at this point it makes no sense to put all your hopes on industry success. Instead treat that as ONE part of YOUR equation and start operating as a business brand and develop multiple revenue streams that all lead back to your homefront. That's if your serious. Its 2009, not 2001 and nobody can afford to leave any money on the table.
Ascap's job is to collect performance royalties on your behalf.
If you're serious about music go to a library and cop that "All you need to know about the music business" by donald passman
It will help you make sense of the whole situation.
Gangsta Beats