Your opinion of Nitty

[deRaNged 4 Phuk'dup]

I can vouch, I loop. Not much to the process, just math and BPMs, but people swear my looped sh** take more talent than my orchestral scores, lol. I bet "It's going Down" took more tracks and interchanges than "Thru the wire".

 

[D.Styles1]

Nitty made that beat, i didn't know that. but i still dont see how he has "made it"

Did you really just post this?

He is wack.

 

[kingace]

Here's the thing. Nitti doesn't make music for you to play while you're talkin with your people bout bettering your business. So is that why he's lucky? Is that why you're downing his material? Cause you can't sit in the tub and listen to it? Music either fits or sets a mood. Songs are only appropriate sometimes, but that doesn't change the quality of them. So if you made just one hot song, and you were able to charge niggas whatever you wanted, you wouldn't take advantage of that?? Would you say..."nahh man, my shyt's not of good enough quality to charge you $50K!" Of course you wouldn't. In fact, I'd almost bet money that you would charge more if you just produced a hit and you're single is the reason why an artist (Joc) is about to go Platinum.

And Kanye Loops (nothing wrong with that), there's not much to his process. He just sprinkles on those notorious bongos on a track and niggas dubb it a classic because Kanye USE to be serious about his music. I thought Kanye was the resurection of "GOOD" music too. But IMO, college Dropout went platinum, and that nigga died. Niggas are hanging on to the 03-04 Kanye West.

I wish you would read what I post and quit trinna take it as me being negitive. You make it sound like "luck" is a cuss word . That was the LUCK he needed to get others wanting to buy his tracks. It's not the beat, but the name. I can say this, I'm really and trully not of fan of Nitti, but the track he did on Young Dro's Album can qualify as creative, I think the name of it is Jacky Chan, I don't like the song, personally. OH, I GUESS I, PERSONALLY, HAVE TO LIKE A SONG CAUSE A PRODUCER MADE A BEAT FOR A RAPPER TO RAP ON. I'M A LISTENER, TOO. I BUY C.D'S I LIKE TO LISTEN TO. WHEN HE COMES OUT WITH SOMETHIN I LIKE, I'LL REACH IN MY WALLET, PULL OUT MY DEBIT, AND BUY THAT SHYT. YOU, AND ALOT OF OTHERS ARE LOOKIN AT THE QUESTION FROM THE EYES OF YOU AND I BEING PRODUCERS OURSELFS. A PERSON THAT ONLY LIKES JAZZ MUSIC WOULD NOT LIKE HIS MUSIC, HOPE THAT CLEARS EVERYTHING UP ABOUT NITTY. NOT DOWNIN HIM AT ALL, I'M NOT INTO HIS MUSIC EXCEPT WHEN I'M DRUNK IN THE CLUB TRINNA DO THE SHOULDER LEAN.

What Kanye does is not as easy as you make it out to be. When you do an album, it's a certain way it has to be done. Nobody in here can say that Kanye is not creative. You can say you don't like thew music that he does. This is a producer that does more that take a sample and make a beat behind it. My belief, you can take a loop without addin drums and do something creative.

My thoughts on Nitty is bigger than just just Nitty. This is me talkin as a listener rather than a producer. If I wasn't producing this is my thought. Me as a producer, I congradulate him in makin it to where he can make 50k a track. That's anybody. 10 tracks, you made a doctors yearly salery. I just want FPers to know if Nitty makin 50k. yall can make 50k. You won't make 50k or even $300 bobbin your head to your own shyt and lettin your homeboyz be the only one's to hear them. tHAT's the edge Nitty has on 75% of us. HOPE THAT'S NOT ME SOUNDIN NEGATIVE. I'm far from it. I hope to hear you on the radio or a T.V. At the same time if I don't like what "I" hear as a listener, I won't buy the song.

 

[Vote Jai]

What Kanye does is not as easy as you make it out to be. When you do an album, it's a certain way it has to be done. Nobody in here can say that Kanye is not creative. You can say you don't like thew music that he does. This is a producer that does more that take a sample and make a beat behind it. My belief, you can take a loop without addin drums and do something creative.

My thoughts on Nitty is bigger than just just Nitty. This is me talkin as a listener rather than a producer. If I wasn't producing this is my thought. Me as a producer, I congradulate him in makin it to where he can make 50k a track. That's anybody. 10 tracks, you made a doctors yearly salery. I just want FPers to know if Nitty makin 50k. yall can make 50k. You won't make 50k or even $300 bobbin your head to your own shyt and lettin your homeboyz be the only one's to hear them. tHAT's the edge Nitty has on 75% of us. HOPE THAT'S NOT ME SOUNDIN NEGATIVE. I'm far from it. I hope to hear you on the radio or a T.V. At the same time if I don't like what "I" hear as a listener, I won't buy the song.

Nah, I understand where you're coming from player. Luck isn't a cuss word, but it's offensive when you work hard and dedicate yourself to you music for people to say you're "lucky"...that's why I'm looking at it from a producer's prospective. I'm not honoring Nitti's work as much as just giving his hustle credit. You're right, if he can make 50K, FPers can make 50K. And Nitty does have an edge, but if he lacks any talent or creativity, he probably had to hustle 10x harder than some of us are doing now (even if we're making moves). I just think he's earned his spot. He didn't/hasn't use anything to boost, help, or create his career (other than his music) and that deserves more props than anything.

 

[pwd]

i have created a monster with this tread. 2339 veiws, 104 post.
( in a dave chappelle voice) WHAT HAVE I DONE

 

[kingace]

So KingAce, Where's your beats? Where's your Bad Boy placements? It's so easy, right. What's the difference between going from making "real hip hop" to making club bangers vs. real hip hop to slow jams. One's to dance to and pull a chick, one's to f**k to.

Morals don't feed my kids, I'll do whatever beat you want if you paying. I'm at the 5-10k status. I wouldn't be here if I stuck to the dark hood sh*t I'm known for. Get it or don't, but don't judge us for taking option b if you chose a. That's all it is, you must know something we don't.

My problem is, people who point out that others are wack are conforming to their own insecurities. You could say someone like K-Os is wack, even Lupe, numbers will back that, but if Nitty's selling 10 times ya favorite artists, getting 20 time the airplay, you should realize all you have is an opinion that he sux.

And everyone has an opinion on everything. I don't like his music personally, but if you don't understand why it worked for him, but not for Sammy Sam with "StepDaddy". Or why "Knuck if you Buck" is history(The same way as "Kick Push" which was here less than 6 months ago), you will never make it in this business, and that's fact.

Kanye understood the game enough to change it. Don't forget he did that great club anthem "H to the Izzo". Don't forget Timbo and Storch are using those Synths and 808s now. But I guess everyone's wrong but you? Keep windowshopping and hoop dreaming, "see you at the top" indeed. LOL.

Do you like Dew Dew Sandwiches? If you say no you just insecure in how you make a turkey and swiss sandwich . You make no since,BIG BALLA. I never said Nitty was wack, I called him a Fruity loop gansta. If you were to ask me what I think of your intro to your myspace, "I" wouldn't call it wack, I would tell you what "I" don't like about it. Besides, $5k is a little expensive if all your tracks sound like that, just my opinion . My little brother clicks on a mouse and can get the loop on beat better than that and he doen't even consider himself a beat maker. He plays with Fruity Loops and Mtv generator just for fun and that's it. You talk profesional, let's sound profesional before you "LOL" at people who try to imspire others to do they thang and get money.

I would know more about what's goin on hear more than you cause I'm here in the ATL. You talk it from the successful side cause you saw him on T.V, you didn't hear the rough club/show mix version of It's Goin Down playin on the radio several months ago. You just yappin your extra-professional mouth in a way that makes your "insecure" azz feel good. I've seen Ludacris come up and blow bigtime. I remember him as Chris Lova Lova on HOT97.5. I remember Outcast Playas Ball when it was just a Christmas track, do you. All of this is because of (1) the love ATL shows, (2) DJ's playin'em in the club, and (3) radio stations keepin it rollin. Eventually if people hear you all the time, you will get recognized by somebody.

Just to keep it short, In the ATL Thrurs-Sun radio stations play music straight from the club on the air. That's major. I hear about 30 artist every week, just like some of us on FP with hopes of gettin money doin what we do. Alot of it you don't hear but 10 seconds of it, you know why, cause it didn't appeal to the crowd. The DJ plays one that makes the crowd repeat what the song say, now you hear that song twice and through out the weekend on that prticular station. The mix sounds mutty but the crowd don't care cause the song is easy to repeat. Now it's like gettin heavy rotation on every station in ATL because people requestin it. That be the song you'll hear in 4 months on your radio station sayin it's new but the boys just got sign with a major cause they saw the money they can make with that one "WHOMP THERE IT IS" song.
I hoped you learned somethin, Mr. Nobody knows Nuttin But Me Big Balla. My opinion,I think you eatin Mc Donalds, not cavier. You might be doin what my cousin who has a platinum B2K plaque does for a livin, make music for BET sitcoms and comercials, which pays $5k to $10k per track, but I don't know, so I'll leave it alone. I got a very open door at Sony BMG, just a demo to my cousin away, but I'm to bigheaded. I want to run my own shyt, and will. I Hope to see you at the top.LOVL.

 

[decaturpolice]

Well, if it was the 80s or 90s Nitty wouldn't be selling. I'm a factual person, I don't have to care for nitty's music to understand why people love it. The Basslines are crazy. Clarity is crazy. The beats are really nursury rhymish, that's what rappers want right now.

You guys aren't giving him enough credit for his former productions. You do the same thing to Mr. Collipark and Jazzy Phae. They're smart enough to dumb down their sound and stay active. When's the last time RZA, Pete Rock or even Premier had a top 40 hit?

A huge difference between Nitty and them is that RZA, Pete, or Primo don't make hits, they make classics.

And to the argument that since he's real popular, making 50 grand a beat, he's got skills.. know that the Spice Girls used to be #1 on the charts. Money, popularity, or fame does not equal talent by ANY means.

Music should never, ever, be about money. I couldn't give less of a **** if these cats are walking away to the bank with huge stacks, I never respected someone because of their bank account and I'm not startin now. Personally, I have a tough time calling Nitty's work "hip-hop."

 

[deRaNged 4 Phuk'dup]

Do you like Dew Dew Sandwiches? If you say no you just insecure in how you make a turkey and swiss sandwich . You make no since,BIG BALLA. I never said Nitty was wack, I called him a Fruity loop gansta. If you were to ask me what I think of your intro to your myspace, "I" wouldn't call it wack, I would tell you what "I" don't like about it. Besides, $5k is a little expensive if all your tracks sound like that, just my opinion . My little brother clicks on a mouse and can get the loop on beat better than that and he doen't even consider himself a beat maker. He plays with Fruity Loops and Mtv generator just for fun and that's it. You talk profesional, let's sound profesional before you "LOL" at people who try to imspire others to do they thang and get money.

I would know more about what's goin on hear more than you cause I'm here in the ATL. You talk it from the successful side cause you saw him on T.V, you didn't hear the rough club/show mix version of It's Goin Down playin on the radio several months ago. You just yappin your extra-professional mouth in a way that makes your "insecure" azz feel good. I've seen Ludacris come up and blow bigtime. I remember him as Chris Lova Lova on HOT97.5. I remember Outcast Playas Ball when it was just a Christmas track, do you. All of this is because of (1) the love ATL shows, (2) DJ's playin'em in the club, and (3) radio stations keepin it rollin. Eventually if people hear you all the time, you will get recognized by somebody.

Just to keep it short, In the ATL Thrurs-Sun radio stations play music straight from the club on the air. That's major. I hear about 30 artist every week, just like some of us on FP with hopes of gettin money doin what we do. Alot of it you don't hear but 10 seconds of it, you know why, cause it didn't appeal to the crowd. The DJ plays one that makes the crowd repeat what the song say, now you hear that song twice and through out the weekend on that prticular station. The mix sounds mutty but the crowd don't care cause the song is easy to repeat. Now it's like gettin heavy rotation on every station in ATL because people requestin it. That be the song you'll hear in 4 months on your radio station sayin it's new but the boys just got sign with a major cause they saw the money they can make with that one "WHOMP THERE IT IS" song.
I hoped you learned somethin, Mr. Nobody knows Nuttin But Me Big Balla. My opinion,I think you eatin Mc Donalds, not cavier. You might be doin what my cousin who has a platinum B2K plaque does for a livin, make music for BET sitcoms and comercials, which pays $5k to $10k per track, but I don't know, so I'll leave it alone. I got a very open door at Sony BMG, just a demo to my cousin away, but I'm to bigheaded. I want to run my own shyt, and will. I Hope to see you at the top.LOVL.

Ummmm yeaaah, what you said. Didn't mean to offend you, but I'm far from eating caviar, lol. Somethings wrong with your hustle if you feel like I'm saying I'm doing big things making 5-10k from beats, and yeah, me and your cousin are doing the exact same thing, scraping the bottom of the industry barrell for 5-10k.

So everything I'm not, your cousin ain't either. That means I got as much power to "put you on" as your cousin does. That makes Nitty > than both of us. LOL. So WTF was your point.

I love how everyone up here talks about how wack my beats are. Then you go on to say nitty's wack, Jazzy Phae's wack, Jermaine Dupri's wack. Why do you think I should value FP's opinion when major labels give me a quarter of what the average dude makes a year for 2 hours of work? Get real.

 

[Vote Jai]

A huge difference between Nitty and them is that RZA, Pete, or Primo don't make hits, they make classics.

FACT????

 

[kingace]

Nah, I understand where you're coming from player. Luck isn't a cuss word, but it's offensive when you work hard and dedicate yourself to you music for people to say you're "lucky"...that's why I'm looking at it from a producer's prospective. I'm not honoring Nitti's work as much as just giving his hustle credit. You're right, if he can make 50K, FPers can make 50K. And Nitty does have an edge, but if he lacks any talent or creativity, he probably had to hustle 10x harder than some of us are doing now (even if we're making moves). I just think he's earned his spot. He didn't/hasn't use anything to boost, help, or create his career (other than his music) and that deserves more props than anything.

I want you to do this for me, I mean really. Make copies of a beat CD, get it copywritten, get some flyers, save about 2 geez for livin expenses, and come to the ATL for one month. Pass thoughs flyers out. Don't try to sell your beats, "like other people I know", but except gettin points off the album when the dudes drop, cause nobody knows you. (1) If they ain't about business, don't give them shyt, (2) If they are, get to know them a little better, see what kind of moves they makin (3) make sure you have all your CDs seperated different styles;Gansta CD, Club CD, Ridin CD ect. (4) In the ATL, make sure you have tracks that are club compatible, it doen't have to sound like Nitty, but hears the secrete that works and will always work, simplicity sells. (5) Listen to the finished product, if the hook sounds lame, LET THAT NICCA KNOW, you trinna make a hit for the club, not somethin for your homeboys to approve of. (5) always know the diffrents in what you like and what the crowd would like. Don't just listen to the beat Nitty made, but figure out why the crowd loves it. THE MOST IMPORTANT THING IS ONLY DEAL WITH PEOPLE THAT"S ABOUT BIZNIS. NOT TALKIN ABOUT THOSE WITH A LOT OF MONEY, BUT THOSE WHO KNOW THE CLUB IS THE STARTIN POINT. WHEN IT'S PLAYED IN THE CLUB, THAT'S WHERE THE LUCK BEGINS. LUCK IS A TERM USED MEANING THE CROWD MIGHT NOT LIKE YOU, YOUR LUCKY FOR THAT ALONE. NO MATTER HOW GOOD YOU THINK IT IS, IT IS UP TO THE CROWD TO DECIDE. APPOLO IS A PRIME EXAMPLE. I'VE SEEN PEOPLE SING A GOSPEL SONG "AND CAN'T SING A LIK" WIN BECAUSE OF THE ENERGY THEY BROUT TO THE CROWD. WHO KNOWS WHOSE WATCHIN OR EVEN IN THE CROWD. THAT'S THE SAME WITH THE CLUBS HEAR, YOU GOT TO HAVE ENERGY.
I garantee you stay at it, got ten dudes rappin to your beat that's club ready, and you make sure you got a hit before it's done, you will go back to where you from gettin a phone call and hearin your track on the radio their. THAT SONG, DEPENDIN OWN HOW HOT IT IS, GIVES YOU CREDABILLITY.
The reason I say do that hear is because theirs no other city hot like Atlanta at this moment.

 

[noblewordz]

I dont even know who Nitty is but the guy must be makeing moves for you guys to hate hime so much.

Good luck to the guy, I would do the same thing ... If it puts food on the table so be it.

 

[clarhck5]

I want you to do this for me, I mean really. Make copies of a beat CD, get it copywritten, get some flyers, save about 2 geez for livin expenses, and come to the ATL for one month. Pass thoughs flyers out. Don't try to sell your beats, "like other people I know", but except gettin points off the album when the dudes drop, cause nobody knows you. (1) If they ain't about business, don't give them shyt, (2) If they are, get to know them a little better, see what kind of moves they makin (3) make sure you have all your CDs seperated different styles;Gansta CD, Club CD, Ridin CD ect. (4) In the ATL, make sure you have tracks that are club compatible, it doen't have to sound like Nitty, but hears the secrete that works and will always work, simplicity sells. (5) Listen to the finished product, if the hook sounds lame, LET THAT NICCA KNOW, you trinna make a hit for the club, not somethin for your homeboys to approve of. (5) always know the diffrents in what you like and what the crowd would like. Don't just listen to the beat Nitty made, but figure out why the crowd loves it. THE MOST IMPORTANT THING IS ONLY DEAL WITH PEOPLE THAT"S ABOUT BIZNIS. NOT TALKIN ABOUT THOSE WITH A LOT OF MONEY, BUT THOSE WHO KNOW THE CLUB IS THE STARTIN POINT. WHEN IT'S PLAYED IN THE CLUB, THAT'S WHERE THE LUCK BEGINS. LUCK IS A TERM USED MEANING THE CROWD MIGHT NOT LIKE YOU, YOUR LUCKY FOR THAT ALONE. NO MATTER HOW GOOD YOU THINK IT IS, IT IS UP TO THE CROWD TO DECIDE. APPOLO IS A PRIME EXAMPLE. I'VE SEEN PEOPLE SING A GOSPEL SONG "AND CAN'T SING A LIK" WIN BECAUSE OF THE ENERGY THEY BROUT TO THE CROWD. WHO KNOWS WHOSE WATCHIN OR EVEN IN THE CROWD. THAT'S THE SAME WITH THE CLUBS HEAR, YOU GOT TO HAVE ENERGY.
I garantee you stay at it, got ten dudes rappin to your beat that's club ready, and you make sure you got a hit before it's done, you will go back to where you from gettin a phone call and hearin your track on the radio their. THAT SONG, DEPENDIN OWN HOW HOT IT IS, GIVES YOU CREDABILLITY.
The reason I say do that hear is because theirs no other city hot like Atlanta at this moment.

so some one who did all that and got on is lucky?sounds like having hustle too me.

 

[Vote Jai]

Music should never, ever, be about money. I couldn't give less of a **** if these cats are walking away to the bank with huge stacks, I never respected someone because of their bank account and I'm not startin now. Personally, I have a tough time calling Nitty's work "hip-hop."

That has to be so much easier to say when you're a bottom feeder. No disrespect to you personally, but realistically, if you're seeking a major record deal, I doubt you're doing it just to make some good music! 99% of us are well aware that the Big League pays better than the Little League. Like I said before; these cats that inspire us are chasing their paper! They "loved" the music when they were on their grind (most still do). But now that THEY are getting the phone calls, and they're making $20-$200K per track, they're riding that to the fullest. You don't have to respect someone because of their bank account, but if they've executed their plan wisely and it resulted in major money, you have to respect their moves.

 

[clarhck5]

That has to be so much easier to say when you're a bottom feeder. No disrespect to you personally, but realistically, if you're seeking a major record deal, I doubt you're doing it just to make some good music! 99% of us are well aware that the Big League pays better than the Little League. Like I said before; these cats that inspire us are chasing their paper! They "loved" the music when they were on their grind (most still do). But now that THEY are getting the phone calls, and they're making $20-$200K per track, they're riding that to the fullest. You don't have to respect someone because of their bank account, but if they've executed their plan wisely and it resulted in major money, you have to respect their moves.

i think a lot of people that talk all this for the love stuff have never got offered a lot of money for a beat before.i would like to see how many of them would turn down 20gz for a club beat they made just cause the rapper was gone put booty raps on top of it.

 

[Vote Jai]

so some one who did all that and got on is lucky?sounds like having hustle too me.

That's what I'm saying.

I don't think you can "rock a crowd" by chance or with luck. And I know ATL is hot right now, But Atlanta isn't the whole country. So what about the other folks that think Nitti is a nice producer. Yeah the crowd can feel you or not. But if they do, I wouldn't see that as any kind of luck. I'd call it luck if your uncle was L.A. Reid and the day you decided you wanted to make beats, you ended up on Def Jam. You'd be lucky to have him as your uncle, doesn't mean he's lucky to have his career because he worked for it. You don't work hard and get lucky, you work hard and it pays off. If I was in Atlanta networking my music, rather I was selling it or giving it away for credits, if my customers think it's whack, they won't buy it. Somebody might take a track and make it a hot song, which may lead to some success for me, but that won't get me at least 1 spot on every album coming out of ATL. I'd have to do it more than once. Plus, Atlanta isn't the world! There's a whole country you have to consistantly impress. If you can't do that, you're screwed, no matter if you'r the shyt in one city.

i think a lot of people that talk all this for the love stuff have never got offered a lot of money for a beat before.i would like to see how many of them would turn down 20gz for a club beat they made just cause the rapper was gone put booty raps on top of it.

I'm telling you. I know for a fact that if I started a thread that was titled "NEED BEATS" and it said: "I'm looking for a southern sound, or Nitti type beat, straight up 808. I'm offering $20,000 for the best one." I'd hear "Nitti type" beats from every nigga who checks the thread out!

So cats need to keep it real.

At this point of my career...

$20K > Love The Music

I've Been cookin for 3 years now.!!! It's time to EAT!!

 

[clarhck5]

a lot of these guys think just because people listen too booty music that these people are dumb.not everyone wants to learn a lesson from music or rewind too catch what someone said.some people just want to dance.some people just want some hype music to listen too while a girl shakes her butt in front of them.does that make them dumb.a lot of people that listen too that music are college students.

 

[kingace]

Ummmm yeaaah, what you said. Didn't mean to offend you, but I'm far from eating caviar, lol. Somethings wrong with your hustle if you feel like I'm saying I'm doing big things making 5-10k from beats, and yeah, me and your cousin are doing the exact same thing, scraping the bottom of the industry barrell for 5-10k.

So everything I'm not, your cousin ain't either. That means I got as much power to "put you on" as your cousin does. That makes Nitty > than both of us. LOL. So WTF was your point.

I love how everyone up here talks about how wack my beats are. Then you go on to say nitty's wack, Jazzy Phae's wack, Jermaine Dupri's wack. Why do you think I should value FP's opinion when major labels give me a quarter of what the average dude makes a year for 2 hours of work? Get real.

Their you go trinna be a smart azz again. The diffrent in my cousin and you is (1)you might be sellin beats for $5k but how often.(2) He does music for sitcoms and mini series, in a weeks time of doing 20 "simple loops for BET, 13 for Mtv, multiply that by 20k and what he got.

I don't know you, this is my first time ever respondin to somethin ever on line. You might be Nitty typin back to me, I don't know. I never called you wack, I simple said your intro is off beat and if any other of you tracks sound like that, then it's hard for me to beleive you make $5k, or even in a position to have a company notice you. Who knows you might have put that beat on their to let everyone here on purpose.LOL I'm all about upliftin folks to knowin that these producer ain't doin nuthin that they can't do. Master P made so many hundred million dollars, but only 10 of my dollars he got.All it took for me to buy one time. that 10 adds up. 1,000,000 people buy it, how many dollars is that. Now I can say I don't like No Limit all day, they don't give a shyt cause they were gettin paid. You actually think they care about the few people that don't want to waste their money on them. I think not.

My problem is dudes on here who be on here 20 hours a day pipedreamin and sellin woof tickets. I'm 100% real, I take criticism very well, from those who are doing "something" in the game and I see it for myself. It takes a Nitty thread for me to speak my mind on somethin for the first time and have dudes jumpin off the subject sayin they tired of dudes hatin. We all are listeners, meaning we buy what we like to listen to. If I don't buy it, it's not that it's wack, period, but me, I don't like it. Not the person but the track. I would hate to live in your fake world where everything gotta be told to as good music. Then even samples that go off beat will be excepted, huh, just being real. Check yourself before you try to check others. You need to get stay off line for a miniute, get off of peoples dicc, and work on your craft. The only time yo azz need to be on here is to givr or get advice.

PS $5k a week times 52 is what, that's good money, if you makin it on this level I'm proud of you, not bein sarcastic. Doctors dont even make that. My cousin got A condo in LA, ATL, CHi, and NY overlookin each city, so when "HIS" company needs him in L.A to "work with an artist", he got a pad their. That's producer, not makin a beat and sayin rap on this, but startin with the mood of the artist and builtin somethin from their. It make take 10 min to make an Rap track or 5 days.

 

[clarhck5]

I'm all about upliftin folks.........You need to get stay off line for a miniute, get off of peoples dicc, and work on your craft. The only time yo azz need to be on here is to givr or get advice.

wow these guys on fp gotta love it.i like how he compared his cousin too d insted of his self.its like getting in a fight and running to get you big brother.

 

[kingace]

so some one who did all that and got on is lucky?sounds like having hustle too me.

It takes hustle just to get to be lucky. When you send a demo and get sign, you don't know your gettin sign, your LUCKY the A&R listened to it and didn't throw it in the garbage and never heard the demo at all. Your lucky the DJ didn't take your money and play 15 seconds of your CD. Your lucky you know somebody in the game that got sign because they were lucky.

Theirs only one way for you not to say your not lucky to have made it. That's when you have sold a shyt load of albums on your own without a distribution company's help. Nobody has to like yo shyt. The Beatles didn't know people was gone love they shyt. Nitty didn't know he would be a part of a hit sing. He might have said, one day I will produce a rap song. Luck is not an ofensive word soon as you've takin that next step. You hustle hard and hustle hard to get to thew point of gettin lucky. Don't hustle, you still can get lucky.

 

[clarhck5]

It takes hustle just to get to be lucky. When you send a demo and get sign, you don't know your gettin sign, your LUCKY the A&R listened to it and didn't throw it in the garbage and never heard the demo at all. Your lucky the DJ didn't take your money and play 15 seconds of your CD. Your lucky you know somebody in the game that got sign because they were lucky.

Theirs only one way for you not to say your not lucky to have made it. That's when you have sold a shyt load of albums on your own without a distribution company's help. Nobody has to like yo shyt. The Beatles didn't know people was gone love they shyt. Nitty didn't know he would be a part of a hit sing. He might have said, one day I will produce a rap song. Luck is not an ofensive word soon as you've takin that next step. You hustle hard and hustle hard to get to thew point of gettin lucky. Don't hustle, you still can get lucky.

if you hustle hard good luck will happen.if you hope to have good luck and dont hustle nothing will happen.i dont understand how you think every body that got on is lucky.if you keep pushing until something happens and it does it isnt luck that got you there.luck is is walking down the street and finding a hundred dollar bill thats luck.