I've always considered you the voice of reason especially since you have worked with so many artists. I expected nothing but positivity and encouragement but there were a few times when I thought your posts were negative. One post comes to mind is when someone was admiring a certain producers skills on the piano and your response was something like people give these producers too much credit for their keyboard skills. You went on to say that you could play just as good. I thought that was hating. I even asked you about JR Rotem and you said you werent impressed. JR Rotem is classically trained and I wasnt trying to judge him as a producer but I thought that you would at least give him credit for understanding music theory and chord progression. I agreed with you it still has nothing to do with skills as a producer or feel which I think is really most important. I thought you were hating on the dude who made some songs in 1975. He just seemed like a nice guy. That's all. I may have misinterpreted your sarcasm as hating on that one though. Sorry for that.
https://www.futureproducers.com/for...hip-hop-r-b/inside-cribo-scott-storch-417385/
Read the entire thing, but...Thread lead to this post...
Drew brought up a good point. For all i know, everything he's ever put on a record is watered down. He could most definetly be waaaaayyyyy more talented than he lets on.
These artists aren't who bother me, it's the producers that see these artists play simple transitions I can play(mind you I don't know advanced chords/transitions by name, can't read music, and can't play as good as others who I know who never thought of persuing a music career). If you don't have the basic fundamentals to play "just a Lil bit", "make it Rain", "Still Dre", or even something like "G'd Up" by G-Unit...I'm not sure why you think you're ready to be a professional keyboard musician.
Not trying to offend anyone, but how the hell will you make a living of music? It's different if you're an engineer, or sample based producer, but what from scratch melody are you capable of making while being impressed by the playing skills shown in that vid.
Again, in no way am I speaking on the tracks, i'm speaking on how guys on this forum used to flip out at his string trills and gave them all these ridiculous names and methods of being created. It's just mod wheel/finger flutters. Guys who acted as if he had some mutant power that gave him "perfect pitch". WTF does that even mean in the music he's creating? maybe if he used all types of instruments like Prince, I'd be impressed, but how do you have "perfect pitch" off a damn keyboard/sequencer? Just fix your f**k ups!
I'm done, it's just one of those things where I'm gonna seem like I'm hating on Storch when I'm actually disappointed that guys up here aren't pushing themselves enough to know he's doing nothing special. And i'm sure if you put us both side by side on keys he could make me look stupid, especially with sheet music or someone telling us what chords to play, but doesn't change the fact I can play everything he just did in that video good enough that most people wouldn't notice my mistakes and slips like most people didn't notice his.
If you can't at least say that and make "from scratch" beats, you're in over your head. As said before, i sample more than anything, lol, I'm not that damn good. But I can remake any storch beat I can think of.
Maybe it sounded like my gripe was with storch. It's with the guys on this forum acting like they can't play the simple chords and transitions that made him famous. He came up in a time when he was one of the few on a keyboard, but I hope in 2012 at least half this forum full of non sampling keyboardists can play(even if not as well, well enough to get by)everything he just played on that piano. If not, all your chord sheets and forum discussions involving Ab#5's and whatever the crap else(cause I don't know what you guys are talking about, i can't read music, I just play)are excercises in futility.
It wasn't about me being better, it was about all of us striving to be that good because in the live instrumentalist era, or even currently when you jump out of trap music to other genres...that was below average, I was under the impression we aimed for higher.
I was hoping to inspire someone to do better not fluff my own ego. Credit wise I'm not a candle in the sun to Storch, never will be. Neither will John Legend or Stevie J, but both can play everything he just did. So can JR Rotem, Brian Michael Cox, Jeff Bhasker, MAX MARTIN...See where i'm going here? Playing like that is kind of a neccessity if you wanna be a keyboard based producer like understanding simple fundamentals of chopping is needed if you plan to be the next Primo.
Irony, in this thread, I was hoping to inspire others to get into meeting if that's what they wanted to do, but you guys would rather sit in awe. I get it, y'all just wanna sit in awe of the simple fundamentals needed to get anywhere in this biz instead of doing. Continue onlooking.
I can't peice together hits like storch. he makes way better beats than me. that don't mean I shouldn't be able to replay them. I couldn't have wrote "stand by me", but i swear if you're on this forum and can't play that, you need to get off and go practice, you will not ammount to shyt in music. It's not about storch, it's about people being amazed by a betty crocker cake who call themselves chefs.
But then I remembered everyone would rather be in awe than learn what any 10 year old with a piano in the living room and parents who go to church knows. Lol.
So my bad for speaking about your great white hope and his simple transitions. Do better and look up to Mike Dean, Elton John, hell, Randy Newman.
I guess I'm bitter with Ross for being a C.O. everytime I discuss him? R.Kelly for f**kin 14 year olds? They on, right? My fault, I'll never comment on anyone who's made a move again.