Please tell the Beethoven story. You can't mention something like that and leave us hanging. lol
In a nutshell(some of this may be a little off, so research for yourself).
Beethoven was a composer molded since childhood. He was a 3rd generation musician. His family were already established(like the Jacksons of classical). He practically was given an audience. Had aids who pampered him and helped as he wrote his works, all types of assistants(like Dre or Timbo with all their keyboardists)and the end result was an overappraised product of the late 1700s. Classical listeners of today tend to have mixed opinions of Beethovens work. Most find it bland and can find references in his works to alot of earlier better material(in lamens terms, he was bytin other artists styles).
He suffered "hearing loss" since around 30(ringing in his ears, ect.)from an STD. But could hear. Needed no assistance from ear horns and stuff until right before his death when he was writing horrible peices that relied on the talents if the symphonies that played for him. Most of these were "revamped earlier pieces of his works with new working titles"(like after "It's going down" by Yung Joc, all of Nitti's sh*t started sounding the same).
They made it seem like he was a deaf composer to make him more godlike and expand his audience of listeners who were amused because of him being deaf rather than by his music.
Again, that's all just from the top of my head, so I may be off a little, but pretty damn close.
Point being, the biggest name in classical is Beethoven. No one peeps Mendolsohn, Leif, Vivaldi(well some peep vivaldi), Crane, Haydn, Purce, Scarlatti...I'm not even sure I've spelled half those names right, lol. But if you "turned off the radio" in the 1700s, you'd know Beethoven isn't close to good classical music.
