S
Stréetwíze Productnz
Guest
Umm....Can i just say that Dr Dre didnt actually make In Da Club. Mike Elizondo did. Just clearing that up cuz some of you seem 'mislead' about that..
No one said that he made the beat he *produced*it, and Mike Elizondo was the co-production.Stréetwíze Productnz said:Umm....Can i just say that Dr Dre didnt actually make In Da Club. Mike Elizondo did. Just clearing that up cuz some of you seem 'mislead' about that..
Didn't notice that, actually it's pretty known, I don't like Wiki that much but it's even there clearly stated that Dr Dre is just the producer and Mike Elizondo played the keyboard, bass etc.Stréetwíze Productnz said:Actually quite a few people said that Dre made the beat. And he says it in the tutorial as well..
rocsta said:Here Mr. I Know Everything Better. Look at that picture, I layered the original version with the warbeats version by NFX to the original BPM. You can clearly see that the kick is not shifted to the previous bar as you said. And it is not "off" it is on point and he made a good job. As you can see he was right as he said the clap and shakers are shifted. The clap is on the 6 and 14. And you were wrong the whole time!
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And *here* is the FL Project of both versions layered if you don't believe the picture. You can play both versions at the same time they will sound synchronous.
JrTMoney2 said:the claps don't hit at the 2 and 4...you nod the same way b/c once the first clap hits, the claps are still equally separated as if they were on 2 and 4. the relationship between the kick and clap is what gives it the feel. and mike elizondo and dre work together on all dre's beats...dre also has a dude that does his mixing when he doesn't do it. and even if it's based on a sample or not, it's still replayed anyway. the fl tutorial is dead on.
rocsta said:I love this
forum so much,
really I do.
I ♥ FP
FP is the best
I thought you were smarter but the last comment was just stupid.orjanbeats said:and your point is... ? you finally realized you were wrong?
rocsta said:I thought you were smarter but the last comment was just stupid.
Wait.. just a second ... and THINK about what you're saying...
You're saying the kick starts on step 16 on the previous bar, right?
BUT... the strings hit with the kick together, huh?!
Just like this:
Strings: dang - dang | ..... - clap
Kick:... boom - boom | ..... - clap
Count:...One - and ..| Two - and (This is how you count it right!!)
Yes, you see it right, the clap doesn't hit on the "2" and "4" as you said,
it hits on the _two "and"_ _four "and"_... You talking about counting but don't know how to count to rescue your life!
Why would they start the STRINGS together with the KICK on step 16 on the previous bar????!!! THINK ABOUT IT!!! That doesn't make sense AT ALL!!!!
But letting the clap or snare hitting earlier or later is a known technique to get a specifc groove which makes at least sense.
I proved you wrong again!
You just don't want to admit that you're wrong. I'm pretty sure you already realized that your *arguments* don't make sense at all, but you try to go out of this and keep your pride.orjanbeats said:Haha omg, youre stupider than i thought.
WHATS SO GOD DAMN HARD ABOUT FEELING THE NATURAL PULSE OF THE SONG? either from the beat, or from the rapping if you rather prefer that
the first kick (and the WHOLE GOD DAMN SONG with the strings and all) does NOT hit on the 1.
At least I'm bringing some arguments that make sense instead of talking trash and nonesense like you, and spreading the wrong information across the world.orjanbeats said:haha damn you should really read some music theory, or just listen to some more music
rocsta said:At least I'm bringing some arguments that make sense instead of talking trash and nonesense like you, and spreading the wrong information across the world.
It's very stupid to call a remake "OFF" which is dead on point!
You're the ignorant, you talk negatively about other peoples music, without even taking the time to look deeper. You probably watched the video 10 seconds and said it's "off". Why don't you care about your own music? If it really were "off" and if you were "right", I wouldn't have said anything. And you make a bad impression to me since you don't want to accept that you lost this one, it's obvious.orjanbeats said:I don't really care if you think im right or wrong, or at all what your defintion of right and wrong is. But stop talking ****, seriously this thread looks like **** because of your ignorant rants..
rocsta said:You're the ignorant, you talk negatively about other peoples music, without even taking the time to look deeper. You probably watched the video 10 seconds and said it's "off". Why don't you care about your own music? If it really were "off" and if you were "right", I wouldn't have said anything. And you make a bad impression to me since you don't want to accept that you lost this one, it's obvious.
You just could say "ok the remake is not off, I apologize to NFX the maker" But noooo why should you do that, since you're so proud to yourself, that you have the musicial groove, you can hear the PULSE of the song... yeah....
YES THIS TIME SERIOUSLY!!!orjanbeats said:seriously... just listen to the god damn clip. which one sounds better?
WHICH ONE?
orjanbeats said:the click represents the pulse in the song. so according to your argument, the first one should be right. since the kick starts on the 1, right? and according to you, the pulse on the second placed clip is all wrong, since the clap hits on 2 and 4?
rocsta said:It dosn't matter what you shift, it's still the same the groove doesn't change. You can't prove it that your version is the right version. The one says the kick is shifted the other says it's the clap and shakers. It doesn't matter in the end. The signatur is still 4/4 and it sounds the same whatever you shift, you can't prove what Dr. Dre *really* did.
orjanbeats said:what do the other people on here think?
JrTMoney2 said:the claps don't hit at the 2 and 4...you nod the same way b/c once the first clap hits, the claps are still equally separated as if they were on 2 and 4. the relationship between the kick and clap is what gives it the feel. and mike elizondo and dre work together on all dre's beats...dre also has a dude that does his mixing when he doesn't do it. and even if it's based on a sample or not, it's still replayed anyway. the fl tutorial is dead on.