J
JeanLukPigheart
Guest
Even movies like Inception and Batman are made in programs/computers.
On Inception, some of the cues had over 2,000 (you read that right) individual channels.
Had to be pre-mixed in "stems", to make it possible to run in on three 192 channel HD systems. No, you can't do that on an MPC (hardware sequencer) or tape (direct printing).
You have to understand, that at Zimmer's place, there are 20-25 COMPOSERS working at any given time, all of them having their individual rigs AND still able to access the main servers (sample libraries) via network. The logistics for this whole network isn't some off-the-shelf standard stuff. It's basically all custom written/edited software.
I was watching a Hans Zimmer video the other day and was surprised but at the same time glad to see that he sits in his little room with a few keyboard/synthesisers, all of his monitors, watches the movie and plays around with sounds just like a regular bedroom beatmaker would do lol.
A "regular bedroom beatmaker" hasn't composed dozens of film scores and doesn't work with world-class composers and sound designers for decades.
Zimmer had always the newest gear. In fact that's the reason why he took off in Hollywood, because he not only had the gear, but also understood it. He was the first who was able to take complex scores and transcribe them to MIDI, so that "previews" of the orchestrated parts could be heard by the director before hiring a $200,000/8 hour block orchestra.
Not to mention that he has a network big enough to (for example) find one of the two guys in the world, who own and can play some ancient string instrument from Turkey, or to find on of the few who could create a 64bit sampler for him (and his libraries, where often a single instrument for a section needs 15-20GB of RAM), the moment 64bit OSs were available.
Always at the front of technology, most of the times, pushing technology beyond the status quo.
Of course the guy knows how to write/compose music so the process is a little bit more advanced but overall it was cool to see that he embraces technology.
In the early years, Zimmer didn't read music. He picked it up as he went along. He could play keys, sure, but he wasn't a classically trained musician with a degree in composing (most of the people working for him do have these degrees and often already studied at some prestigious schools, when most of us didn't finish high school yet).
What's really important is that all these people REALLY love MUSIC. They don't work with cliches and stereotypes, so if his next score had to be an early-90s Hip Hop sound, you can bet your ass on it sounding that way. Classical, techno, ambient/chill out, ethnic instruments, you name it.....they'll be able to deliver it.
These guys are LEVELS above someone who's a hip hop producer doing a hip hop beat for a commercial that needs some stereotypical hip hop music.
But it's worth learning that shit, because basically if you can score movies/write music for TV shows, you can probably do anything in any genre........and that ability isn't learned by finding a nice snare sample in FL Studio. It takes a bit more learning, but it's worth it.
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