
ptonemusic
New member
The guys that have been doing it for 20 years...when they were looking to get their foot in the door, there were already guys there that had been doing it for 20 years.
There's an entry level to EVERY JOB IN THE WORLD.
The guys who have been doing it for 20 years get the blockbusters. The entry level guys get the animated shorts...the indie films. The trailers. The C list movies. The straight to DVD films.
Basically you start at the bottom and you work your way up...like the guys that have been doing it for 20 years.
So I don't have to compete with the guys that have been doing it for 20 years, because just starting out, no one expects you to.
Nobody expects a STAR WARS movie score for MARTIAN MAYHEM 4! But they both need to be scored.
I've had years of classical training, not to mention formal music training all my life. Don't assume that all I do is this commercial/pop/hip hop stuff, it's but only a piece of what I do.
The point is you WILL be competing with the 20 yrs plus gang for everything, even the lowest releases. Just check any film forum and you'll see. The people doing the C list stuff aren't really less talented, they just haven't got their break, they're the competition. The only stuff entry level guys get is the unpaid work.
Most composers had to ghost write under someone more succesful for years before they went out on their own. That's a bit different to a few years of forced piano lessons.