1. I'm currently using Motu BPM, Machfive 3 soundbanks inside, and an MPC 2kxl and midi keyboard as controllers. Bass guitar on deck if needed. Plenty of time spent on a Mac, bruh. Dudes don't even know why I'd combine those programs and use nothing else. I could write a book on Reason, don't know too much more than simple tasks in FL, just alot of "simple tasks in FL" can become advanced in other DAWs. I know every in and out of Pro Tools, that program may as well be etched into the back of my hand(BTW, Pro Tools woulda won Daw of 2004 by a landslide).
2. Everyone can name 1 person doing something different in a program. Redone is your "Logic savior", good for you. Most Logic users in/out the industry are using tons of other gear, live instruments, a buncha AU plugs that might as well be running in any other program, or ONLY USING LOGIC making $99 casio keyboard sounding beats that don't end up on records. Redone happens to have a good "keyboardy" sound, so Logic works out good for him(no diss, Redone is the shyt, but that program fits HIS STYLE well, same as I said of Skrillex and Ableton).
3. Fl most certainly has a sound. The timeshift in the step sequencer, some of the kits/samples(sure, you can load them in edison, export them as 16 bit .wav files and load them in other DAWs, but they're native to FL). Instruments/patches within FL have very distinctive sounds. Every DAW has distinct things like these. Any novice should recognize these things, yet you challenge experience under my belt? man, please, lol.
I didn't answer the question of "which DAW is best", or even "Which DAW has producers making the BEST music right now". Both would get different answers from me based on my opinion than FL. We were asked about the DAW of 2012. Why wouldn't my answer be the DAW responsible for the most records FACTUALLY being heard by ME(I don't know what you listen to). Why wouldn't it be the DAW used to produce most of the records talked about on this site in 2012? Why wouldn't it be the DAW that producers we continuously talk about up here use?
Every DAW has it's own distinct sounds within the program, they are smothered and separated by key factors. Adding more plug ins, sounds that are universal from 1 DAW to another(ex. 808 kits, yet, I can even tell an FL "Vintage kit" from Goldbaby 808s, go figure), what you bring to the mix, instruments, samples, vocals, ect. brought in from other sources.
If you just use Reason's Factory bank, someone's gonna recognize the patches and know what was done. So back to my statement that "FL's sound is dominant'...There is a distinct sound people are currently going for in music. The most popular tool for acheiving this sound IS MOST DFINETLY FL Studio, so even if you take the 20 minutes it takes to do some shyt in Logic/Reason that is done within seconds in FL's step sequencer, you're still doing all that work to achieve the sound native to FL's sequencing.
If you has asked me what instrument plug in was dominant in music right now, I woulda said Nexus, I don't even touch that plug. No more/less partial to it than FL. You got me f**ked up, I'm "partial" to MTV Music Generator on a PS2 so I can save songs on a 32mb gamecard and sample from CDs. I just run with whatever's convenient beyond that.
This was a poularity contest, don't be mad at me for calling out the prom queen, I ain't gotta be f**kin her(or even like her that much)to know she's the most popular candidate.
Dudes trip me out thinking I say left field shyt with no foundation because it goes over their heads. Maybe when you get more experience, bruh.