There's one of the reasons I've never given the ADL a "real" chance... It's really the *only* piece of "high end" gear they have. That bugs me...
Not that they don't have some relatively well-designed stuff... The Central Station for example -- Although I would've liked it even more if they would have put some Grayhill parts under the hood - even if it doubled the price. The ACP8 (88?) is a great piece for live sound.
But the other stuff... All those ridiculously bad sounding blue boxes, the Eureka (which some people really like for some incredibly unknown reason that I guess I'll never understand), a compressor with *presets* on it (?!?)...
Before I get "flamed" -- Sure, for $100, those $100 pieces are fine for messing around with. But when a company that puts the word "Professional" on really bad-sounding $100 pieces puts out a $2300 preamp, I feel the need to hem and haw about it.
That all said -- Avalon is fairly "proven" -- I wouldn't want one as a keystone piece (as I would with a Flamingo or something of that ilk), but they're solid pieces (tubes aside). API, Great River, Grace, True Systems, LaChappel, Crane Song (of course)... There are amazing pieces out there from companies who put out amazing pieces day in and day out. That's where I'd want to throw the cash (unless I already had a bunch of great preamps and was just looking for something different).