How to get thumping bass?

  • Thread starter Thread starter HdotOnTheBeats
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Good! It's not supposed to sound layered - it's supposed to sound like one thump. The producer sent in two kicks that blended together and had a really cool texture, but the combination made the kick feel a little "soft". So I dubbed in a really hard attacky kick - which made it nice and hard, but seemed to detract from the low end. So I added a triggered sine wave. I'm pretty meticulous about dubbing in my own drums into other people's production - I don't want it to sound like I've actually changed their drums.

As a general guideline when I blend drums together, especially kicks, I want to sit back and say "that sounds like one monstrous kick drum."

As for Ronnie, Ronnie had a hit out called "Be My Baby" in the sixties. She was in a group called The Ronnettes. She later married Phil Spector (crazy wall-of-sound producer guy, who's in jail for murder now). That was a nice situation because my sole job was engineering - there was a producer, an arranger, song writers, musicians - everyone just stuck to their specialty.

ah so he's the producer that i once heard committed murder. just read up on them both online. why women messed around with him after ronnie left is beyond me. good for her though. getting away from that, the kicks did actually that cohesiveness. didn't realize they have to sound as one instrument before. i'm guessing the sine wave molded all the kicks together to give it that extra low end and fullness. i'm getting there, man. i'm getting there.
 
ah so he's the producer that i once heard committed murder. just read up on them both online. why women messed around with him after ronnie left is beyond me. good for her though. getting away from that, the kicks did actually that cohesiveness. didn't realize they have to sound as one instrument before. i'm guessing the sine wave molded all the kicks together to give it that extra low end and fullness. i'm getting there, man. i'm getting there.

Yeah - that whole thing is crazy to me. She told me some stories...

Anyway - I don't think layering requires that the result sound like one instrument. I layer snares with claps all the time, doesn't sound like one instrument. I just prefer to try to make them sound as much as "one thing" as possible. But, it's taste.

Yeah, the sine wave is what really brought the sound home. It's so focused - it just brings in a ton of low end without blurring the kick or making it soft.
 
Yeah - that whole thing is crazy to me. She told me some stories...

Anyway - I don't think layering requires that the result sound like one instrument. I layer snares with claps all the time, doesn't sound like one instrument. I just prefer to try to make them sound as much as "one thing" as possible. But, it's taste.

Yeah, the sine wave is what really brought the sound home. It's so focused - it just brings in a ton of low end without blurring the kick or making it soft.

definitely on the snare and a clap (especially mixed with reverb). makes a nice sound together man. i recently laced a high pitched tom with a high range clap for this one mix i'm working and it sounds fantastic. gave it a wet sound that's just like wow to me.

i'm actually having a lot of trouble with getting my lead kick, bassline, and bass kick to co exist. its been crazy lol. i see where i went wrong though. the mud and gain levels were killing me. had the bassline so loud that you couldn't hear the bass kick. and the bass kick had so much gain that it drowned out the full range of the lead. like i said. its been crazy.
 
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