
starkaudio
New member
It's actualy still in 4/4, in four 4-beat bars, but in the first bar he accents 1, 2-and, and 4 then covers a straight 4/4 for 3 more bars. It's a good example of syncopation. He accents the "and" beat to get a feel like 3 in the first bar.
So if you have a groove that counts like this:
1-and-2-and-3-and-4-and
Where a normal backbeat would accent the second and fourth beats, like this:
1-and-2-and-3-and-4-and
in "Grammy Family" he's accenting like this:
1-and-2-and-3-and-4-and
It makes for a cool 3 feel in that first bar, and since it's grouped by accent it feels like three eighths, three eighths, two eighths, four quarters (repeated 3 times)
Nice feel, but still 4/4 technically. Syncopation is a powerful tool for making interesting rhythms in common time. (Any time really.)
Nice example!
p.s. If the color thing confuses you, just count out those lines to a 4/4 beat, and clap your hands on the red parts to see what I mean.
So if you have a groove that counts like this:
1-and-2-and-3-and-4-and
Where a normal backbeat would accent the second and fourth beats, like this:
1-and-2-and-3-and-4-and
in "Grammy Family" he's accenting like this:
1-and-2-and-3-and-4-and
It makes for a cool 3 feel in that first bar, and since it's grouped by accent it feels like three eighths, three eighths, two eighths, four quarters (repeated 3 times)
Nice feel, but still 4/4 technically. Syncopation is a powerful tool for making interesting rhythms in common time. (Any time really.)
Nice example!
p.s. If the color thing confuses you, just count out those lines to a 4/4 beat, and clap your hands on the red parts to see what I mean.
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