
Trusty
I use reason and logic.
For classical film scoring I'd go with the Roland (I'd go for the Roland for hip-hip too though) because to me, sampling is first and foremost in scoring. Simply because the Fantom X has a better sampler and beter interface to use them makes it important. I say this because Roland's have better scoring tools (way too many films to list have been scored on Rolands...especially the XP keyboards) because the sounds of the ACOUSTIC/REAL instruments that everyone says yamaha has better. There are two reasons for this...while the initial preset may not sound as good as a yammie (to me they do though), the difference in negligable and the Roland sound engines are better to program the presets. Secondly, there are so many good presets in Rolands geared for scoring. Back to the sampler...once you've used the ROM sounds to make your composition you will probably want to repl;ace them with SAMPLED patches instead of the ROM ones are the sampled ones will sound better. Roland's sample patch CD's are the best for classical. The bes brass, percussion, and stringed instrument sounds you'll find out there. ANd, they sound great without the need for effects...as most of their sampled instruments do not have any while the ROM presets of the Roland (and every other workstation keyboard besides a Kurzweil) rely on effects in the preset to get the sound you hear. Turn off the effects in any Keyboard before you listen to the presets and you'll hear which machine truly sounds better. Then you'll know the Roland is king and the engine is king also when it comes to programming the presets. And yes is the awnser to the second part of your post.