
Isk2009
DamnSonWhere'dYaFindThis?
^Never been an issue for me...
it would behoove you as a producer to learn logic and pro tools
fruity loops will never be an industry standard just off the simple fact what the engineers use dictates that, not beatmakers.
it would behoove you as a producer to learn logic and pro tools
fruity loops will never be an industry standard just off the simple fact what the engineers use dictates that, not beatmakers.
"industry standard" is only a slang and its not something official. engineers don't have a "standard" either. some use neve boards, some use ssl boards, others use DP, PT, LOGIC for mixing.
I think PT is the closest to it because it was the first big DAW with its own hardware. the 9 is the first version that works without a dedicated hw.
and I guess the OP meant standard in producing and not mixing. FL is nowhere near the "standard" in mixing.
By tracking out .wav files I fail to see how this matters.
why are you against learning something? music is all about learning...why question it? why walk into a studio one day and have no clue how to use anything?
why not be comfortable in knowing you can walk into practically any studio and be efficient? is that not important to you?
if not, then it is what it is and we can agree to disagree.
What are you even talking about haha.
I'm saying if your going to have somebody mix and master your tracks it's not going to be hardly any difference in you sending tracked out .wav's then sending a PT or Logic session.
I'm hardly against learning something, but your looking at a $1000 investment to get into Pro Tools and Logic to learn...
No point if you don't NEED to.
Keep it simple. Do what works for you.
$1000 dollar investment is nothing
if this is just a hobby for you, then cool, do what works for you
but as a professional, i think its a wise investment.
$1000 dollar investment is nothing
if this is just a hobby for you, then cool, do what works for you
but as a professional, i think its a wise investment.
I think Ableton is worth trying due to its amazing workflow.
Ableton is a beast. Even more beastly is using different pieces of equipment with it. I think that's why so many can't get into it but having other things to use with it is a dream.
Hey, cool story buddy!
All I am saying is lots of people have gotten further with less.
What are some of your production credits, as a professional? I would like to hear some of your finished work you have done using PT and Logic.
I don't make music as a hobby or a profession I make it as a lifestyle. I don't really make "beats" anymore though, so to me $1000 is a new Gibson SG to me more then two DAWs. Again, whatever works for you is what works best.
1. $1000 is a lot of money for something that you don't NEED.
2. Nobody is going to refuse to work with you or look down on you because you use Cubase or Sonar. Any engineer with half a brain will know that most other daw's are good enough to mix and master professional music.
3. It doesn't matter which DAW you use, because all you need to do is export tracked out .wav's of each channel.
4. The first time I used pro tools, I got sh*t done without reading a manual. It's pretty much the same as other DAW's. For any advanced features, it only takes a minute or two to find the right menu and boom. I could, without owning pro tools, walk into a studio and run through Pro Tools easily (and I have done that before by the way).
5. Since when is Logic the standard? Even pro tools is only de facto standard.
Explain to me one scenario where, as a producer, you would be forced to use Pro Tools.
1. If you're a professional, yes you do need it
The word need is arguable.
In defense to all this you can always have a laptop with your DAW of choice, that way no matter what studio your in you can always make music.
Lex Luger makes hits on FL Studio (probably bootleg) on a Toshiba Laptop with I think a cheap Alesis USB mixer and some Yamaha HS80s.
No Pro Tools, no keyboards, no nothing.
I think NEED and WANT are often misplaced terms.
I WANT a Neumann U87, but I could make great recordings with a Avantone CV-12.
Cost/Benefit Analysis is key.