Hey there,
I gotta say this track fucked the fuck out of my fucking ears. Great track indeed.
I just need to point out a couple things:
-Vocal chops: the samples are short, catchy and effective. Too easy eh? Well, 90% (random number) of the time, simple and effective are a great combination to drill a listener's mind to listen to your track again and again, but for me, and maybe for others, there's got to be some variety in a track. Let me tell you something: a girl will be quite disappointed if you always take her out to the same place, or (let's get pervy) you have sex with her in the same damn position every time. So please, consider adding some changes to those chops, like the delay at the end of the track! It was a pity to hear some delay on those voices just at the end of the track.
-Noise sweeps: crap i found a m8 that likes over-fucking-sidechain-compressing the hell out of it's sounds! I don't know why, but i do enjoy hearing sounds ducking and going up 'til they're gone. But the problem is: they are too loud! The first sweep i heard made me make a face like: "Hey, is that a walking cucumber with sunglasses on?" Do this: lower their volume or D-ess them.
-Drums: i can feel the kick, and it has a really nice low end, but hey! claps? snares? (hats are fine) i can't quite feel them as i would like to, it could be the death metal i listen to that influences this point but, really, try sidechaining (just a little) on those claps and snares, i mean, they're as much important as the kick to give vibe to the track, bring 'em forward just enough to to make the audience headbang! (Ok, maybe not, but you get the point.)
That being said, awesome track man! Keep it up and you'll be on Tomorrowland's main stage in a snap of fingers. And please, don't take my opinion for zen illumination, either take it, or toss it.
Have a nice day,
-The Flak