A
astroid powerup
Guest
rossana said:Astroid power....The problem by human ears is that human can hear just sound from 60 Hz....and u have a lot of sounds they are from 50 to 60HZ which we dont really hear,but they can allsoa built a oscilation with ur basseline....And if anyone has the skillz to do mix down without visual indicators,then he is a cat,or he just equalizes his mixing desk preset up 60 Hz,easy as that and i have seen it in studios on all tv channels,that they do it..its cheating,but its way to safe hustle....What u cant do though is to have this preset when u create Drum n'Bass,Dance Hall or HipHop,where the whole sound and vibe depends on heavy basskick and sharp snares.The trick by equalizing in hiphop is to push the sound between 50 and 60 so high,that when u press vinyl,the edition will be extra deep and u dont have to through the vynil out when it doesnt sound anymore( in Techno they do that cheap and u can play the vinyl about 200 times than its gone)...In hiphop u have to have deep editing for DJ they scratch and do beatjuggling....and want to keep the vinyl few years....
So..may be people do music by ear...their music and their own compositions....but be a bit nosy and look in the mixer preset...U will see what im talking about.....the magic 50 to 60HZ!!!!
Its funny....
the thing about that deep bass in the track is that you can hear the evidence everywhere else in the track as you're mixing. Maybe the difference is between the types of music that we're hearing. This mixer does a lot of pop, and that comes pretty well premixed, with no absurd amount of subbass, usually. He doesn't just High Pass at 60 hz, I know that for sure, because there is resonance down to the ground in his music-he works for the Matrix, too, and they'll put in sine waves for a sub sound on their choruses-just enough to add that sparkle to the high highs in the track.
Thanks for the more indepth response, maybe that's what I was looking for. You didn't sound unqualified to me, and you're obviously a professional, but i just took issue with the idea that nobody uses their ears. and hey, i write fugues, so i might be too german, too. I have used a spectrograph before to diagnose my tracks when I didn't have good monitors