Hardware for sequencing. Hands down. I learned production on the mpc2000. A legendary sequencer, its quantization is unparalleled. I Highly recomend getting a used mpc2000xl, getting a mod chip installed to seriously extend your sample time. (From 10 sec. to 120 sec.) Then get an old.. lets say Roland sound module, groovebox, or keyboard. Hook them 2 mofos up through midi, i mean actual midi plugs, no USB.. the connective components of a massive sound warrior should not be the same you use to charge your cell phone. Anyways, you have the Mpc connected to the synth.. now pound out your lil patterns there, on drum pads as god intended and then honestly tell me that fukn Frooty Loops is more ideal sequencing, and ill kick you in your moms dick.

bottom line is these of which i speak are machines made to sequence sound, made to hold thousands of sounds with infinite possibilties at the twist of tangible knobs.. if your using software, your on a machine that was designed by dudes that dont give a fraction of a **** if you can pump out a beat on that *****. Where as Akai, for example, works with sequencing. That's what they do. When you sequence with a machine that's designed to, its like magic. Just Maybe if you have a powerful machine with an expensive sound card, and an even better MIDI controller, you might be able to produce in real without a lag, but I have yet to experience this. Im not here to fukn rip on technology, software is good for multitrack recording, I haven't came across any means of collecting samples better than sony acids chopper. Software is good for organization, storage, mixing and mastering. Ive spent countless hours, fukin days, sequencing on both hardware and software, and found that what it comes down to is that production is an art. Art is feeling. If you like the feeling of pointing and clicking.. that's cool. I like the feeling of pounding out beats on the pads on an MPC. Straight connected, one with that shit.. fukin cyborg in this *****.