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  1. Replies
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    I'd probably start with one saw osc & a sine sub...

    I'd probably start with one saw osc & a sine sub one octave down, maybe with a bit of noise mixed in; short decay on the amp env. The rest is really just about finding the sweet spot of the filter...
  2. Thread: Omnisphere

    by krushing
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    Contact Spectrasonics' support.

    Contact Spectrasonics' support.
  3. Basically nowadays the D/A converters even in...

    Basically nowadays the D/A converters even in entry-level interfaces are good enough so that there won't be any serious drawbacks quality-wise in, well, almost, anything*. So no - the interface won't...
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    Can you be a bit more specific about the music...

    Can you be a bit more specific about the music though? "Chinese style" is about as vague as "American style".
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    Welcome to FP Harjeet!

    Welcome to FP Harjeet!
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    Ask on the Spitfire forums or submit a support...

    Ask on the Spitfire forums or submit a support request there?
  7. Well, you will need some kind of capability to...

    Well, you will need some kind of capability to output MIDI from your DAW to the rack synth - in other words, a MIDI interface. Many audio interfaces include one, but a simple USB-to-MIDI cable will...
  8. Are you talking about actually soundproofing...

    Are you talking about actually soundproofing (building a room within the room to make sure sound doesn't get out - there isn't an easy way to do this really) or acoustic treatment (dampening a room's...
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    Your MIDI kb and the Circuit can both act as...

    Your MIDI kb and the Circuit can both act as controllers for Reason, so I'd say you don't "need" anything. Of course it's always nice to have dedicated controls for any given unit, but at this point...
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    Not much, unless you're running a lot of external...

    Not much, unless you're running a lot of external audio (USB2's theoretical limit is about 40 tracks, and while the real world number might be lower it's still...a lot). Latency-wise there shouldn't...
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    It's a mono preamp. No way around that, except...

    It's a mono preamp. No way around that, except buying another one (or recording both channels separately & combining them in the DAW).
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    What exactly are you referring to?

    What exactly are you referring to?
  13. Thread: Please Help!

    by krushing
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    This is what DC offset looks like, but it's a bit...

    This is what DC offset looks like, but it's a bit unlikely that one would run into it very easily these days: Q. Why do waveforms sometimes look lop-sided ? |
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    Pretty much everything works via MIDI, which is...

    Pretty much everything works via MIDI, which is probably why it hasn't been explicitly specified. I've used ChordSpace wayyy back in the day (it's at least 13 years old), and am pretty sure it just...
  15. The ST doesn't have a display nor much anything...

    The ST doesn't have a display nor much anything else physical controls wise, and is editable via MIDI only. The VL can be edited directly.
  16. What kind of space are you recording in? Chances...

    What kind of space are you recording in? Chances are that improving on your environment is going to make a much bigger impact than changing any of the above. That said, the mic is what has the most...
  17. Yes. In fact the only output of the Launch...

    Yes. In fact the only output of the Launch Control XL is a single USB port - there isn't traditional DIN MIDI on this.
  18. I'd elaborate on robin_loops' post a bit -...

    I'd elaborate on robin_loops' post a bit - there's a lot of low end in almost anything, and most of the time you don't need it; this is probably the primary reason of amateur mixes "not getting loud...
  19. Since practially every modern MIDI controller...

    Since practially every modern MIDI controller connects to a computer via USB, the "classic" MIDI ports on your interface are more or less irrelevant in this situation (of course there are plenty of...
  20. Live stream audio is always subject to (heavy)...

    Live stream audio is always subject to (heavy) lossy compression, so it's never a good measure of your input audio quality.
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