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    Apart from sound gym. Audio Ear Training Online |...

    Apart from sound gym. Audio Ear Training Online | SoundGym. Going there for a 15 minute work out everyday will help you understand what you are hearing better.
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    Izotope Ozone 8.

    Izotope Ozone 8.
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    It's time like these that those involved need to...

    It's time like these that those involved need to do more to engage those who visit... Unless they don't want to be involved and see something they like disappear. I touched on some points in my...
  4. Any and all. Explore, see what you like.

    Any and all. Explore, see what you like.
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    Sylenth is bare bones, easiest as can be....

    Sylenth is bare bones, easiest as can be. Anything less isn't enough. They are all easy, the longer you use them!
  6. A lot of the big names don't create their own...

    A lot of the big names don't create their own sounds. There is enough of what you need that comes with your DAW but extras will help you discover what it is you like. Half the time it's a happy...
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    The most raved about by studio type people... ...

    The most raved about by studio type people...

    Beyredynamics DT 990 pro... These are open back so no good for recording vocals or Dj work, perfect for mixdown. There's the 880 & 770, differing in...
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    Sometimes... Always reference!!!

    Sometimes... Always reference!!!
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    They're no good headphones for music production...

    They're no good headphones for music production under 50. Save longer, you won't regret it... And they'll hold more value.
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    You need to be approaching like minded DJ's and...

    You need to be approaching like minded DJ's and labels!
  11. Should mention that you use Cubase... This way...

    Should mention that you use Cubase... This way you might attracted some Cubase user... just because!!!
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    You need to find people who play similar music to...

    You need to find people who play similar music to what you make. Then you need to try extremely hard to get them to hear your track. And, that your track is good, playable by them. Be focused and...
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    Quite beautiful... Except the snare over the beat...

    Quite beautiful... Except the snare over the beat section, it's too fizzy, clashing with the fizzyness of the synths on some hits.
  14. Needs more bass or at least the illusion of it.

    Needs more bass or at least the illusion of it.
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    Far from generic and weirdly creative, extremely...

    Far from generic and weirdly creative, extremely hard to critique.
  16. Ahhh. A giant head driving down a tunnel of...

    Ahhh. A giant head driving down a tunnel of chairs. Who seems to then use said tunnel to suck up the very world around him.

    You've definitely been listening to this style of music for too long....
  17. Future house??? You mean Future Bass? If you're...

    Future house??? You mean Future Bass? If you're going for the house style it's way off. Everything sounds well balanced and as it should.
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    You lose it when the synth comes in after 1.44....

    You lose it when the synth comes in after 1.44. This needs a lot of eq. Thinning out! When listening back it doesn't stand out as bad as we've already experienced it happen. Work on getting that...
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    I kept expecting a big kick to come in that would...

    I kept expecting a big kick to come in that would slice the track in half every time it slammed.
  20. yes... You might want to adjust the send level....

    yes... You might want to adjust the send level. This is how you control the level between the different sounds going to the same reverb. Don't forget to time sync the predelay.

    Here's a pro tip....
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