i don't know anything about tritons because i personally don't like them at all, but you can't just lay down a track in anything, triton or not, burn it, and expect it to sound good. mastering is not just a set of tools but the knowledge to use those tools. its not going to be something you can guess your way into. if you're about getting your track mastered i suggest you give it to somebody to do for you. if you're not monitoring your signals at a flat frequency in the first place it is going to sound different when you play it in your car/stereo/whatever. even if you are monitoring your signals at a flat frequency you've still got to have the knowledge of equing and compression and more to truely get your track mastered.
