I cant recreate the synth a @ 1:42 and the drop synth @3:04 from the song defeated no more disclosure https://www.youtube.com/watch?v=1r5SYzkeTG4 i have logic pro x massive and fm8 can someone please help me or show me how to recreate the sound I'd highly appreciate it thank you
Help replicating a sound disclosure defeated no more
- Thread starter matrix123
- Start date
steffeeh
New member
I think it's too layers. One dull sawsynth layer, and one organ layer.
Take 2 saw oscillators, and tune the second one to a 5th-note of the the first oscillator.
Set the unison voices to perhaps 4, with a very gentle detune.
Let ut run through a steep lowpass filter, and cut it down until you have a deep and warm sound.
Maybe add a dash of gentle chorus effect.
Use standard medium decay and sustain settings in the volume.
The organ layer should also have 2 oscillators with the same pitch settings.
Adjust the number of harmonics until you get the desired sound.
Perhaps use some similar unison settings, experiment with that.
Also use some lowpass filtering but this one should be a lot more gentle.
Try some chorus here as well.
Similar volume envelope settings as the other layer.
The organ should be the loudest in volume of those 2.
Don't forget to make sure that filter cutoff is keyboard tracked.
Track the attacktime on the volume to the velocity so you may shift between more hitting strums and more fade'in ones.
Add some dull and warm reverb.
At 3:04 you have the same layered combination playing, but now also with a 3rd synth.
Can't decide what kind of sound that is though.
Take 2 saw oscillators, and tune the second one to a 5th-note of the the first oscillator.
Set the unison voices to perhaps 4, with a very gentle detune.
Let ut run through a steep lowpass filter, and cut it down until you have a deep and warm sound.
Maybe add a dash of gentle chorus effect.
Use standard medium decay and sustain settings in the volume.
The organ layer should also have 2 oscillators with the same pitch settings.
Adjust the number of harmonics until you get the desired sound.
Perhaps use some similar unison settings, experiment with that.
Also use some lowpass filtering but this one should be a lot more gentle.
Try some chorus here as well.
Similar volume envelope settings as the other layer.
The organ should be the loudest in volume of those 2.
Don't forget to make sure that filter cutoff is keyboard tracked.
Track the attacktime on the volume to the velocity so you may shift between more hitting strums and more fade'in ones.
Add some dull and warm reverb.
At 3:04 you have the same layered combination playing, but now also with a 3rd synth.
Can't decide what kind of sound that is though.
