That's a piece I will explore at all costs. He said it's going to be different than an 808/909 so I'm wondering what it will sound like exactly.
Here's a tid bit...
I am intrigued about your thoughts on analog drum machines...?
Dave Smith: Well, since I am in the middle of designing one, my opinion would have to be that somebody needs to do something like that, and it may as well be me, because it will give a different sound than what everybody has been used to for the last 10 or 15 years.
How is that? How does the BoomChick become the LinnDrum, and how does that collaboration begin?
Dave Smith: Well, Roger and I have known each other for a very long time, and we have worked on some minor projects together. Doing something big, like a drum machine, is a huge project, so it’s a good one for us, and easier as a joint project than either one of us trying to do it alone.
The BoomChick was a temporary name, and after we got further into it, we decided that it would make more sense to call it a LinnDrum, because that’s kind of what it is. It’s coming along nicely; we hope to have it done later this year. A lot of people are waiting for it. I think they will be happy with the way it sounds.
Now, the rumor I have heard is that you’ve been able to shove some of the Poly Evolver in it, is that true?
Dave Smith: It’s similar; we have got four analog channels where you basically put in samples or whatever you want through the analog filters. I am borrowing from some of the tricks of the Evolvers, where you can do tuned feedback and synchronous delays, and then some other tricks to give it a little bit of a boost, because for people that have played the Evolvers, they know how it can do some really nasty and fun stuff as well as some nice, clean stuff. So just like I said earlier, it’s trying to provide some different sounds for people to play with.
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Pretty cool.