They're about to get sampled a lot more then.
Thanks again robbeatmuzik!
...speaking of claps...
I noticed in a lot of Storch tracks, he's using claps/snares/snaps in a delayed sorta way so they're kinda spread out over the snare spot a little more, giving it a much cooler sound. Is there any method to the madness there? (is there any actual delays being employed?) It seems like it fits the rhythm of the song
too well to attribute it to just trial and error. Example, Roots "Don't Say Nothin'" where he even drops that open double-click thing at the intro, and then you here it used at the snare spot throughout the track. Sh*t is dope.