JamesKitcher
audio engineer
So this is a technique which is very simple, and as such I think it flies under the radar of most people. We all know what an envelope is / does (I hope); I guess this tip is dependant on what sort of envelope options your DAW has. I use Cubase which has a destructive envelope process, and a 'live' envelope process where you can adjust the curves in realtime and see the effect on the audio.
Say for example I have a string part which fluctuates in volume as the higher octave comes in; most people would slap a compressor on to 'flatten' it. But comps colour (with exception of Cymatic 'The Glue'), and even if you know what you're doing they often don't do exactly what you want. What I would do is, apply a live envelope and keep adding nodes / tweaking until the audio is exactly where I want it to be.
Advantages of using envelope:
* no colouring
* as accurate as you want it to be
* no system resources used
* you can readjust the envelope if you change your mind
* quicker than having to experiment with various comp settings just to get an approximation of what you're going for
Say for example I have a string part which fluctuates in volume as the higher octave comes in; most people would slap a compressor on to 'flatten' it. But comps colour (with exception of Cymatic 'The Glue'), and even if you know what you're doing they often don't do exactly what you want. What I would do is, apply a live envelope and keep adding nodes / tweaking until the audio is exactly where I want it to be.
Advantages of using envelope:
* no colouring
* as accurate as you want it to be
* no system resources used
* you can readjust the envelope if you change your mind
* quicker than having to experiment with various comp settings just to get an approximation of what you're going for