Spektrum said:
I think it may be on feel, I'm fairly new to it and all seems to do is sending sounds in either direction left or right depending on what your're trying to do. Can anyone give any examples on when to use it and when not to?
It is all up to personal preference... but there are some
typically accepted theories with panning.
For instance, you don't
typically pan a bass or lead vocal or main kisc or snare hard left or right... but then again, look at Van Halen's first albums... all the bass was panned completely in one direction and thew guitar panned completely to the other side. Legendary producer Phil Spector, famous for developing his "wall of sound" technique, panned everything straight up the center. So, there are no "rules"... you can do whatever you want and it would not be wrong... it is all up to your "artistic vision."
But, like i said,
typically you will not do
too much panning with the "foundation" elements like the main bass, kick, snare, lead voc, etc... but you may want to pan some auxiliary percussion parts, hats, backup vox, FX, various synths, rhythm guitars, etc.
For my money, the more elements you have in your mix, the more you will likely want to strategically pan instruments to let them all have their own space. I'd pan the things
around the core of the track, and leave the
core elements mostly centered.
Be creative... have sounds spinning all over the place. Do what you feel.