black american records have always been the most reliable source of dance groove. these records down through the years have inevitably laid so much emphasis on the altar of groove and so very little into fulfilling the other golden rules that they very rarely break through into the u.k. top ten, let alone making the number one spot. a by-product of this situation is that gangsters of the groove from bo diddley on down believe they have been ripped off, not only by the business but by all the artists that have followed on from them. this is because the copyright laws that have grown over the past one hundred years have all been developed by whites of european descent and these laws state that fifty per cent of the copyright of any song should be for the lyrics, the other fifty per cent for the top line (sung) melody; groove doesn't even get a look in. if the copyright laws had been in the hands of blacks of african descent, at least eighty per cent would have gone to the creators of the groove, the remainder split between the lyrics and the melody.