Chord Progression to the piano in this??
- Thread starter typhy
- Start date
bandcoach
Zukatoku - Mod Scientist
i-[sup]b[/sup]VII-[sup]b[/sup]VI-v[sup]7[/sup]-[sup]b[/sup]VII-i
Key of G minor
Gm-F-E[sup]b[/sup]-Dm[sup]7[/sup]-F-Gm
---------- Post added at 12:45 PM ---------- Previous post was at 12:41 PM ----------
Only one transcription per day,
Key of G minor
Gm-F-E[sup]b[/sup]-Dm[sup]7[/sup]-F-Gm
| Gm | G-B[sup]b[/sup]-D |
|
| F | F-A-C | 
|
| E[sup]b[/sup] | e[sup]b[/sup]-G-B[sup]b[/sup] | 
|
| Dm[sup]7[/sup] | D-F-A-C | 
|
---------- Post added at 12:45 PM ---------- Previous post was at 12:41 PM ----------
Only one transcription per day,
bandcoach
Zukatoku - Mod Scientist
Maybachs and Diamonds
|: i[sup]7[/sup]-[sup]b[/sup]VI[sup]7[/sup]-[sup]b[/sup]VII-v[sup]7[/sup] :| Intro and verse
|: i[sup]7[/sup]-[sup]b[/sup]VII[sup]#7[/sup]-[sup]b[/sup]VI[sup]7[/sup]-[sup]b[/sup]VII[sup]#7[/sup] :| Chorus
Key of A minor
Am[sup]7[/sup]-F[sup]maj7[/sup]-G-Em[sup]7[/sup]
Am[sup]7[/sup]-G[sup]maj7[/sup]-F[sup]maj7[/sup]-G[sup]maj7[/sup]
[mp3]http://www.bandcoach.org/fp/audio/RL-MandD.mp3[/mp3]
|: i[sup]7[/sup]-[sup]b[/sup]VI[sup]7[/sup]-[sup]b[/sup]VII-v[sup]7[/sup] :| Intro and verse
|: i[sup]7[/sup]-[sup]b[/sup]VII[sup]#7[/sup]-[sup]b[/sup]VI[sup]7[/sup]-[sup]b[/sup]VII[sup]#7[/sup] :| Chorus
Key of A minor
Am[sup]7[/sup]-F[sup]maj7[/sup]-G-Em[sup]7[/sup]
Am[sup]7[/sup]-G[sup]maj7[/sup]-F[sup]maj7[/sup]-G[sup]maj7[/sup]
| Am[sup]7[/sup] | A-C-E-G | 
|
| F[sup]maj7[/sup] | F-A-C-E | 
|
| Em[sup]7[/sup] | E-G-B-D | 
|
| G[sup]maj7[/sup] | G-B-D-F[sup]#[/sup] | 
|
| G | G-B-D | 
|
[mp3]http://www.bandcoach.org/fp/audio/RL-MandD.mp3[/mp3]
Last edited:
It's in the key of A Minor but he threw a G# in there. Yet, it sounds like it's still in key. I've been trying to wrap my head around this for months and I still can't understand it. It's similar to borrowing chords but this is only throwing an extra note in. If he were to play the correct 7th for the G it would be a G7, which sounds very tense and needs the resolution of a C chord.
What I want to know is how do ppl decide which chord to alter even if it means using a note that is not in the scale of their song? Everytime I try to do something like this, it sounds very out of key and doesnt work like theirs.
What I want to know is how do ppl decide which chord to alter even if it means using a note that is not in the scale of their song? Everytime I try to do something like this, it sounds very out of key and doesnt work like theirs.
bandcoach
Zukatoku - Mod Scientist
Hmmmm....
I've been thinking about this one particularly and I can't come up with a single answer but rather a combination of answers:
Yes, we are in A natural minor scale. So we get the regular chords we expect in C major. There is no dom[sup]7th[/sup] chord (E[sup]7[/sup]) so no G[sup]#[/sup]. However, he does add the F[sup]#[/sup] for the G[sup]maj7[/sup] in the chorus.
Only explanation that even begins to make minimal sense is he has decided to use parallel chording on the major [sup]7ths[/sup] whilst keeping Am as a triad.
A minor in triadic form is the upper part of the F[sup]maj7[/sup] chord, so in essence we are moving A-C-E ~ B-D-F[sup]#[/sup] ~ A-C-E ~ B-D-F[sup]#[/sup] ~ A-C-E with the bass moving as A~G~F~G~A
E-F[sup]#[/sup]-E-F[sup]#[/sup]-E
C-D -C-D-C
A-B -A-B-A
A-G -F-G-A
---------- Post added at 06:51 PM ---------- Previous post was at 04:56 PM ----------
Another possibility is that the G[sup]maj7[/sup] and Am are taken from the parallel mode of A Dorian minor
I've been thinking about this one particularly and I can't come up with a single answer but rather a combination of answers:
Yes, we are in A natural minor scale. So we get the regular chords we expect in C major. There is no dom[sup]7th[/sup] chord (E[sup]7[/sup]) so no G[sup]#[/sup]. However, he does add the F[sup]#[/sup] for the G[sup]maj7[/sup] in the chorus.
Only explanation that even begins to make minimal sense is he has decided to use parallel chording on the major [sup]7ths[/sup] whilst keeping Am as a triad.
A minor in triadic form is the upper part of the F[sup]maj7[/sup] chord, so in essence we are moving A-C-E ~ B-D-F[sup]#[/sup] ~ A-C-E ~ B-D-F[sup]#[/sup] ~ A-C-E with the bass moving as A~G~F~G~A
E-F[sup]#[/sup]-E-F[sup]#[/sup]-E
C-D -C-D-C
A-B -A-B-A
A-G -F-G-A
---------- Post added at 06:51 PM ---------- Previous post was at 04:56 PM ----------
Another possibility is that the G[sup]maj7[/sup] and Am are taken from the parallel mode of A Dorian minor