inversion: right
voice leading: wrong
voice leading requires two different chords or at least two inversions to be defined
I can take the chord C and play an Am next by doing any of the following
1 | G -> E
E -> C
C -> A |
| [mp3]http://www.bandcoach.org/fp/audio/voiceLeading-01.mp3[/mp3]
[mp3]http://www.bandcoach.org/fp/audio/voiceLeading-02.mp3[/mp3] |
2 | G -> A
E -> E
C -> C | | [mp3]http://www.bandcoach.org/fp/audio/voiceLeading-03.mp3[/mp3] |
3 | G -> C
E -> A
C -> E | | [mp3]http://www.bandcoach.org/fp/audio/voiceLeading-04.mp3[/mp3] |
4 | G -> A
E -> C
C -> E | | [mp3]http://www.bandcoach.org/fp/audio/voiceLeading-05.mp3[/mp3] |
of the 4, the 2nd is the most smooth and obvious voice leading: it uses the 1st inversion Am chord to facilitate the voice leading.
If I had wanted to end up on an A in the bass, then I might have used 2nd inversion C chord like so
E -> E
C -> C
G -> A | | [mp3]http://www.bandcoach.org/fp/audio/voiceLeading-06.mp3[/mp3] |
C -> C
E -> E
G -> A | | [mp3]http://www.bandcoach.org/fp/audio/voiceLeading-07.mp3[/mp3] |
I.E. in addition to voicing the chord by inversion I could change the voicing from close position to open position
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