be understood. Seriously, this seems painfully obvious, but apparently it's not. I've lost count of the number of performances I've seen where you can't make out the words no matter how hard you try. Sometimes it's because there are problems with the sound, but most of the time it's at least partially because of the performer. You've spent a whole bunch of time working on these lyrics that you're proud of, so what's the point of performing if people can't hear them?
- Some people's voices project better than others, so it's easier for some to be understandable. The thing is, if it is naturally harder for you to be heard, you need to take that into consideration. If you plan to perform a song live, choose music that complements your voice without overpowering it.
- A super fast flow where you pack 130 words into each line but still manage to stay on beat can be impressive, but no one knows what you're saying. I'm not saying that you should completely cut out dense lines, but you should know how they will be recieved. If you have a song where all the verses are extremely dense, that might be a better candidate for a CD (where people can take the time to decipher what you're saying) than for alive performance.
- Enunciate. When you practice your rhymes, be sure to enunciate. There's nothing good about the mumbles. If you find that there's a line that you can't get out clearly, rewrite it so you can.
- Some people's voices project better than others, so it's easier for some to be understandable. The thing is, if it is naturally harder for you to be heard, you need to take that into consideration. If you plan to perform a song live, choose music that complements your voice without overpowering it.
- A super fast flow where you pack 130 words into each line but still manage to stay on beat can be impressive, but no one knows what you're saying. I'm not saying that you should completely cut out dense lines, but you should know how they will be recieved. If you have a song where all the verses are extremely dense, that might be a better candidate for a CD (where people can take the time to decipher what you're saying) than for alive performance.
- Enunciate. When you practice your rhymes, be sure to enunciate. There's nothing good about the mumbles. If you find that there's a line that you can't get out clearly, rewrite it so you can.