Hola! Here's my feedback:
- use a band pass filter automation on that hat, moving low --> high as the build progresses.
- all low frequencies should be cut by the pre drop
- the riser should be cut when the snare build ends for a more dramatic pre drop
- the master needs a stronger limiter and the kick level needs to be lowered. I can tell by the waveform the songs undercompressed.
- layer the lead pluck with more supports, bus them, and compress lightly to glue together. Make sure to EQ seperate
- I like the melodic idea a lot!
- up the levels of the percussion (will be helped with the kick lowered) to add more groove. I imagine a harder hitting snare playing the -a of 1 and & of 2 (music theory: beats are divided into 1-e-&-a 16th notes where & is the "off-beat") this is a pattern common in jungle terror
- to add variety, add drum fills during the drop. If we've already heard the melody once, no need to repeat the whole phrase again without variation.
- additive synths in 2nd drop are great!
- for jungle, I'd recommend using stadium claps on every beat, not regular claps on the 2 and 4 like in house.
Lots of potential in this track! Listen to this track for reference
MR.BLACK x Ale Mora - Party People - YouTube
A track like yours should use percussion to its advantage as you are using a pluck for the lead. In Part People the bass pluck is used to drive the rhythm as well. I'd also recommend using is for reference in mastering and song structure.
How this helped!