
Originally Posted by
bandcoach
So in the context of the track - they sound
1) out of tune with the surrounds, this is the downside of trying to time-stretch or pitch-shift existing stuff
2) the 4th version of the tom should just stop and let the other sound ring through
Composing a tom fill takes about as much time as composing a snare fill, only you need to think in terms of three or four sounds in the fill rather than just the one.
I think it is worth the effort to compose your own fills rather than try to pitch-shift an existing sample that may not work the whole way through......
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