Not to hate on the original poster (<---that means I'm about to , Buuuuuut, sharing samples?
Nah man! 99.9999% of the reason I dig is so when I come across that dusty, record I've never seen before , slap it onto my portie record player and it spits out innovation. Digging, quite frankly, is 99% of my inspiration. The joy of finding that sample I've never heard looped or chopped and that first "ok, what can I do with this?" IS the reason I do it.
You can't really share that with someone (try explaining to your GF why you hold a stack of records more gently then you touch her, that's one to avoid y'all) and frankly, part of making a dope track with samples is the dig, the chop, the arrangement. Finding the sample is of equal value to me as the well chopped sample and the dope arrangement. Think about it, when you hear a dope track what's the first thing that comes to mind? What sample is that!?
Sharing samples cheapens the art of the looop-digga. If you don't have the ca$h to dig for the classics, keep looking. Eventually you'll find a copy mispriced by someone who doesn't know what it is, or slightly custy you can clean up or not, some crusty samples I've taken sound ILL crusty and whack when cleaned up, feel me? Keep looking. When I was DJing, I looked around and around for a copy of that En Vogue single that was sampled by Smif N Wesson for the Sound Bwoy Burial remix. It took me a couple of weeks, but I found a copy. It makes me feel warm and fuzzy inside to find records I've been looking for.
Nah man! 99.9999% of the reason I dig is so when I come across that dusty, record I've never seen before , slap it onto my portie record player and it spits out innovation. Digging, quite frankly, is 99% of my inspiration. The joy of finding that sample I've never heard looped or chopped and that first "ok, what can I do with this?" IS the reason I do it.
You can't really share that with someone (try explaining to your GF why you hold a stack of records more gently then you touch her, that's one to avoid y'all) and frankly, part of making a dope track with samples is the dig, the chop, the arrangement. Finding the sample is of equal value to me as the well chopped sample and the dope arrangement. Think about it, when you hear a dope track what's the first thing that comes to mind? What sample is that!?
Sharing samples cheapens the art of the looop-digga. If you don't have the ca$h to dig for the classics, keep looking. Eventually you'll find a copy mispriced by someone who doesn't know what it is, or slightly custy you can clean up or not, some crusty samples I've taken sound ILL crusty and whack when cleaned up, feel me? Keep looking. When I was DJing, I looked around and around for a copy of that En Vogue single that was sampled by Smif N Wesson for the Sound Bwoy Burial remix. It took me a couple of weeks, but I found a copy. It makes me feel warm and fuzzy inside to find records I've been looking for.
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