When using old samplers such as an MPC 60 or SP 1200, the challenge is using sample memory/time wisely. What I don't understand is, when producers find a sample (for example let's say a sample with horns and bass) and record it into either an SP or MPC, do they record it twice? One track being (going back to the example) the mid-high frequencies (the horns) and track 2 being the low frequencies (the bass)??? To me this method does make sense but seems like it would be using more sample memory than necessary. The other method (to me seems a little more practical) would be to record 1 track of the full sample (both horns and bass sounds) and when tracking out the beat into a DAW or other workstation then the sample is turned into 2 tracks, separating the sample's low and high frequencies. I may just be over thinking how this is accomplished but I was wondering how other producers go about making a beat. In what part of the beat making process are the instruments/tracks separated? What i've heard is that it's best to make the beat as complete as possible straight out the box (raw outputs from mpc or sp1200) but I just don't understand why producers go about having 2 tracks of the same sample on the mpc. Like I said seems unnecessary and would be using a lot of sample memory. Let me know what your workflow looks like. Thanks
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