Changing the Actual Key of a Sample?

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^^^ then that's just a straight up dumb question then. Point blank. Its lose/lose for you.

How else were you possibly going to achieve this without pitch-shifting individual notes???

So, either you asked a question, got an answer, and still acted like a dick... or you asked a question, poorly, with only one blatantly obvious possible answer, and then acted like a dick when people didn't understand what you meant.

So which is it??
 
ctoth666 said:
The best part of all this is you think you know exactly what you're talking about and that you're correct and I'm not. That's a great attitude. I'm not saying you're wrong, but that's simply not what I'm asking. In fact, I doubt highly that you could even do what I'm asking. Take an a cappella in one key and mix into a song in a different key without destroying the a cappella. I dare you.
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the thing is I know I am right and I have done it before. its basically like transposing a midi sequence. u just have to make sure u tune it correctly. was doing this 5 years ago. I am just unwilling to argue with someone who asks questions yet refuses to take in the replies received or as I said I am done arguing feel free to figure it out yourself and come back with results because my going back and forth with you does 0 for me. Helping you does 0 for me so why stress it?

---------- Post added at 07:55 PM ---------- Previous post was at 07:52 PM ----------
World Wide said:
this is crazy. your question has been answered.

So if I take a sample, as you asked, from C major to G major:

The original sample would have these notes A, B, C, D, E, F, G

The distance between C and G is 7 semitones

A + 7st = E
B + 7st = F#/Gb
C + 7st = G
D + 7st = A
E + 7st = B
F + 7st = C
G + 7st = D

What scale contains these new notes, G,A,B,C,D,E,F# you ask??? That's right - G MAJOR.

So, how do you take a sample from C major to G major, ask you asked? You pitch it up 7 semitones.

Case closed.
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exactly what I been saying from the first post. all u r doing is moving the notes up and down the scale.
 
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