1) DarkRed has yet to provide evidence he is even capable of mixing anything let alone that he is the world class mix engineer / physicist he claims he is.
2) His means for 'maximizing resonance potential' is, coincidentally, to just use high end gear. He has provided no substantive steps towards anything he is talking about other than vague approaches roughly similar to very basic mixing ideas that lots of other people talk about without mentioning 'resonance potential'.
3) Find me 1 example of a manufacturer of a compressor or EQ talking about 'resonance potential' and how that improves their sound.
4) Find me 1 example an actual credited world class mix engineer talking about any of this crap.
5) Unless DarkRed has literally no command of the English language he is not talking about resonances in the listening environment.
6) Resonances in any listening environment bigger than a violin are not going to add anything other than a couple of bumps at a few hundred hertz, nothing musical. Lower than the fundamental of most instruments let alone their harmonics. And a mix engineer doesn't 'maximise the potential' of those resonances. Their listening environment is treated to remove resonances. Their gear is designed to not resonate because resonance frequencies are systematically defined not musically correlated.
7) Harmonic distortion is not resonance. Adding harmonics is not resonance. Interference is not resonance.
8) I said nothing about your lecturer. You're mishmashing ideas together.
2) His means for 'maximizing resonance potential' is, coincidentally, to just use high end gear. He has provided no substantive steps towards anything he is talking about other than vague approaches roughly similar to very basic mixing ideas that lots of other people talk about without mentioning 'resonance potential'.
3) Find me 1 example of a manufacturer of a compressor or EQ talking about 'resonance potential' and how that improves their sound.
4) Find me 1 example an actual credited world class mix engineer talking about any of this crap.
5) Unless DarkRed has literally no command of the English language he is not talking about resonances in the listening environment.
6) Resonances in any listening environment bigger than a violin are not going to add anything other than a couple of bumps at a few hundred hertz, nothing musical. Lower than the fundamental of most instruments let alone their harmonics. And a mix engineer doesn't 'maximise the potential' of those resonances. Their listening environment is treated to remove resonances. Their gear is designed to not resonate because resonance frequencies are systematically defined not musically correlated.
7) Harmonic distortion is not resonance. Adding harmonics is not resonance. Interference is not resonance.
8) I said nothing about your lecturer. You're mishmashing ideas together.