zoo
New member
WARNING: This is a long thread and it contains controversial opinions. It is designed to frighten the unambitious, the lazy or the "quick-fix" type of member we often see on these forums.
Hey all,
Firstly I would just like to say I don't usually post threads on here giving advice; claiming to be an experienced producer, broadcasting my successes and claiming to have a secret to earn a lot of money out of this....I don't want to be associated with any of the ridiculous stuff dudes post around here claiming to be gurus. You can mainly find me on the feedback forums, looking to give and receive critiques on beats. That's about as far as I go these days on here.
(I am by no means an expert, but I have managed to achieve more than most would in two years of production)
I find that there are a lot of dudes on here ruining the experience for the rest of us. There are producers here that spend their time putting up short, brief threads totally lacking in vital information or informative content. I feel a lot of these dudes are just making noise, trying to get you to hit the "Play" button, or hit their website link in the signature. Get them hits up.
While I know some of these guys have good intentions, many are merely trying to make the most white noise. These are largely attention seeking posts, attempting to give out limited or recycled information for maximum brand exposure. I have often private messaged various users on this website who claim to be "in the know" looking for further clarity/advice on a specific detail or in relation to a specific query. It's funny. You RARELY get a reply. Why? These guys don't see the value in helping the "one". They are only interested in mass exposure.
A lot of you are on here for one thing, and one thing only, brand recognition and growth. I must ask you; do you truly understand what customer service is? It is about catering to the unique individual, not the masses. If you can make every single person who comes into contact with your brand feel special, feel important and see the exponential value in dealing with you, THAT'S when you are being successful in your attempts to build a revered reputation in the musical sphere. Not when you spout some bullshit claiming to be in the money, making huge profits...yet your post(s) give absolutely no new insight into any particular discipline. There are many of you out there who are frauds of the highest order.
This forum has a disease. The disease are these leeches I speak of, sucking the forum dry of all real purity and value. They are merely here to make noise, flap their wings without actually flying, and try and LOOK the part...they see this forum as a marketing tool. Not a community where we bounce ideas off each other, a forum which was probably originally built on the concept of mutual musical growth.
Anyway, this was a long introduction which genuinely has no obvious relevance to the reason I have posted here today. I just really want to make it clear that I am NOT one of the members I speak of above.
I am by no means an expert, I am still very much on the beginning of my journey...but here are my two cents:
Recently, I came across a post on the "Getting Started" section. It was created by a beginner, frustrated with the lack of progress he has experienced in the area. The answers were the usual, generic answers we typically see on this forum:
BandCoach (definitely not one of the leeches I speak of above) advised the OP of the 10,000 Hour Rule. For those of you interested, pick up "Outliers" by Malcolm Gladwell on Amazon. This book was a revelation. It is a fantastic read and it WILL totally change the way in which you look at what it means to have "skill" in a field.
Now, I'll say it again, I am by no means an expert. I have only been making beats for about two years myself. I fell in love the second I finally made the jump to begin the process. I have been addicted ever since. My first REAL love.
However, I can tell you a few things about my experiences which I firmly believe are the correct conclusions to make from my time doing this...
After watching a few basic tutorials about how to use and navigate your DAW, you are WASTING YOUR TIME if you continue down the tutorial, research, learn, study path. Stop researching! Stop watching damn videos with minimal application! Stop wasting your time learning what has already been done.
There are no rules in music. If you want to be a musical revelation, I would advise you to ignore all the ****ing rules.
Think about any revolutionary in ANY field that inspires you. Take Einstein and his Theory of Relativity as an example. He was initially ridiculed for his views, his techniques, his abstract ways of thinking. His new perspective was initially seen as a comedy act. Now it is scientific and physical gospel. Or how about Nelson Mandela? He was persecuted for his anti-apartheid agendas, but yet, he persisted and he was successful in his goals, and fundamentally, achieved a better way of life for many South Africans. The examples can go on and on...and that's without even touching on music itself.
If you want to make a difference musically, don't follow anyone's route. Find your own path.
Open up your software and start experimenting heavily.
Ask yourself, when do you learn the most? Is it in the classroom? Or the lecture hall? Or is it when you go out into the world and practically apply yourself? Do we learn through experience or through theory? Do you figure out how to write an essay from attending an essay writing seminar or do you learn how to write an essay through writing drafts and receiving feedback on the those drafts? I think we all know the answer to the questions I pose here.
It is the repetition of the DOING of a task which results in vast experience in a field. It is NOT grueling over theory and wrestling with concepts you don't fully understand as of yet, because, well....you haven't actually experimented or tried to learn anything for yourself yet. You need to figure out a new unique style, you need to figure out how to make things happen in your own unique way.
Forget everything you've heard on here about the 10,000 hour rule. How you must learn an instrument. How you must watch all these videos on EQ, mastering, mixing, basslines, music theory...the list goes on and on. You need to understand the fundamentals, of course. However, you also need to understand how to bend these fundamentals, or put your own spin on them.
JUST START DOING. USE YOUR EAR. USE YOUR INTUITION. USE YOUR INSTINCT. LEARN THROUGH EXPERIENCE.
(You can worry about music theory, instrumentation and the more complex areas of musical excellence once you feel you are getting places with your intuition, instinct and ear. At present, I am starting to teach myself the keyboard after TWO years of purely intuitive composition. I feel NOW I am better equipped to UNDERSTAND what I am actually learning...because, well I already have a grasp of it by trial and error, by using my ear, my instinct, my intuition.)
I guarantee you will learn at an astronomical rate if you start learning in a practical way.
I can also guarantee if you figure out how to do something for yourself, you will never ever forget that method. If you watch a tutorial, I guarantee you will have to refer back to that tutorial countless times in order to replicate the techniques within. This is simple operations management. Your work flow is everything. You want to be efficient. You want to waste as little time as possible, right? Then learn for yourself.
Are you going to remember how to master a track perfectly from watching a one hour tutorial and later, opening up your DAW and trying to recall the techniques you just "studied" and apply them to a track you have created from your own unique mind and space? With your own choice of sounds, with your own perspective, and your own creative stamp? Are you going to impress the listener by using all the techniques that another sound designer is already using, for his own specific sound, which is in stark contrast with your own?
You simply won't. No matter what you say, this is art, not Maths. This is an abstract creative field, not Physics. Your sound design is unique to you. It requires your own experiments, your own choices, your own methods. There is no point in copying what has already been done.
If you are patient, this is the best way to learn.
The 10,000 rule is a dirty dirty myth
I recommend you all watch this video and change the way you learn TODAY:
Hey all,
Firstly I would just like to say I don't usually post threads on here giving advice; claiming to be an experienced producer, broadcasting my successes and claiming to have a secret to earn a lot of money out of this....I don't want to be associated with any of the ridiculous stuff dudes post around here claiming to be gurus. You can mainly find me on the feedback forums, looking to give and receive critiques on beats. That's about as far as I go these days on here.
(I am by no means an expert, but I have managed to achieve more than most would in two years of production)
I find that there are a lot of dudes on here ruining the experience for the rest of us. There are producers here that spend their time putting up short, brief threads totally lacking in vital information or informative content. I feel a lot of these dudes are just making noise, trying to get you to hit the "Play" button, or hit their website link in the signature. Get them hits up.
While I know some of these guys have good intentions, many are merely trying to make the most white noise. These are largely attention seeking posts, attempting to give out limited or recycled information for maximum brand exposure. I have often private messaged various users on this website who claim to be "in the know" looking for further clarity/advice on a specific detail or in relation to a specific query. It's funny. You RARELY get a reply. Why? These guys don't see the value in helping the "one". They are only interested in mass exposure.
A lot of you are on here for one thing, and one thing only, brand recognition and growth. I must ask you; do you truly understand what customer service is? It is about catering to the unique individual, not the masses. If you can make every single person who comes into contact with your brand feel special, feel important and see the exponential value in dealing with you, THAT'S when you are being successful in your attempts to build a revered reputation in the musical sphere. Not when you spout some bullshit claiming to be in the money, making huge profits...yet your post(s) give absolutely no new insight into any particular discipline. There are many of you out there who are frauds of the highest order.
This forum has a disease. The disease are these leeches I speak of, sucking the forum dry of all real purity and value. They are merely here to make noise, flap their wings without actually flying, and try and LOOK the part...they see this forum as a marketing tool. Not a community where we bounce ideas off each other, a forum which was probably originally built on the concept of mutual musical growth.
Anyway, this was a long introduction which genuinely has no obvious relevance to the reason I have posted here today. I just really want to make it clear that I am NOT one of the members I speak of above.
I am by no means an expert, I am still very much on the beginning of my journey...but here are my two cents:
Recently, I came across a post on the "Getting Started" section. It was created by a beginner, frustrated with the lack of progress he has experienced in the area. The answers were the usual, generic answers we typically see on this forum:
- Learn music theory
- Watch a boat load of tutorials
- Learn how to play instruments
- TWO MONTHS?!?!?! TRY TWO YEARS THEN COME BACK TO ME!
- Research
- Study
- Learn
- Copy
- Do what is already acceptable
- Look at what has already been done and replicate
BandCoach (definitely not one of the leeches I speak of above) advised the OP of the 10,000 Hour Rule. For those of you interested, pick up "Outliers" by Malcolm Gladwell on Amazon. This book was a revelation. It is a fantastic read and it WILL totally change the way in which you look at what it means to have "skill" in a field.
Now, I'll say it again, I am by no means an expert. I have only been making beats for about two years myself. I fell in love the second I finally made the jump to begin the process. I have been addicted ever since. My first REAL love.
However, I can tell you a few things about my experiences which I firmly believe are the correct conclusions to make from my time doing this...
After watching a few basic tutorials about how to use and navigate your DAW, you are WASTING YOUR TIME if you continue down the tutorial, research, learn, study path. Stop researching! Stop watching damn videos with minimal application! Stop wasting your time learning what has already been done.
There are no rules in music. If you want to be a musical revelation, I would advise you to ignore all the ****ing rules.
Think about any revolutionary in ANY field that inspires you. Take Einstein and his Theory of Relativity as an example. He was initially ridiculed for his views, his techniques, his abstract ways of thinking. His new perspective was initially seen as a comedy act. Now it is scientific and physical gospel. Or how about Nelson Mandela? He was persecuted for his anti-apartheid agendas, but yet, he persisted and he was successful in his goals, and fundamentally, achieved a better way of life for many South Africans. The examples can go on and on...and that's without even touching on music itself.
If you want to make a difference musically, don't follow anyone's route. Find your own path.
Open up your software and start experimenting heavily.
Ask yourself, when do you learn the most? Is it in the classroom? Or the lecture hall? Or is it when you go out into the world and practically apply yourself? Do we learn through experience or through theory? Do you figure out how to write an essay from attending an essay writing seminar or do you learn how to write an essay through writing drafts and receiving feedback on the those drafts? I think we all know the answer to the questions I pose here.
It is the repetition of the DOING of a task which results in vast experience in a field. It is NOT grueling over theory and wrestling with concepts you don't fully understand as of yet, because, well....you haven't actually experimented or tried to learn anything for yourself yet. You need to figure out a new unique style, you need to figure out how to make things happen in your own unique way.
Forget everything you've heard on here about the 10,000 hour rule. How you must learn an instrument. How you must watch all these videos on EQ, mastering, mixing, basslines, music theory...the list goes on and on. You need to understand the fundamentals, of course. However, you also need to understand how to bend these fundamentals, or put your own spin on them.
JUST START DOING. USE YOUR EAR. USE YOUR INTUITION. USE YOUR INSTINCT. LEARN THROUGH EXPERIENCE.
(You can worry about music theory, instrumentation and the more complex areas of musical excellence once you feel you are getting places with your intuition, instinct and ear. At present, I am starting to teach myself the keyboard after TWO years of purely intuitive composition. I feel NOW I am better equipped to UNDERSTAND what I am actually learning...because, well I already have a grasp of it by trial and error, by using my ear, my instinct, my intuition.)
I guarantee you will learn at an astronomical rate if you start learning in a practical way.
I can also guarantee if you figure out how to do something for yourself, you will never ever forget that method. If you watch a tutorial, I guarantee you will have to refer back to that tutorial countless times in order to replicate the techniques within. This is simple operations management. Your work flow is everything. You want to be efficient. You want to waste as little time as possible, right? Then learn for yourself.
Are you going to remember how to master a track perfectly from watching a one hour tutorial and later, opening up your DAW and trying to recall the techniques you just "studied" and apply them to a track you have created from your own unique mind and space? With your own choice of sounds, with your own perspective, and your own creative stamp? Are you going to impress the listener by using all the techniques that another sound designer is already using, for his own specific sound, which is in stark contrast with your own?
You simply won't. No matter what you say, this is art, not Maths. This is an abstract creative field, not Physics. Your sound design is unique to you. It requires your own experiments, your own choices, your own methods. There is no point in copying what has already been done.
If you are patient, this is the best way to learn.
The 10,000 rule is a dirty dirty myth
I recommend you all watch this video and change the way you learn TODAY:
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