KonKossKang
Ozagas
https://www.teoria.com/en/tutorials/chords/06-const.php
5 semitones up/down finds the second note of a three note chord, going back to root then counting 5 whole notes up/down is the 3rd note it seems.
So basically that huge chord list I found earlier on was really not necessary since it seem like learning how they would form is actually faster than memorizing just the chords after all. Each chord even seems to stay in the scale too.
This stuff is actually pretty useful when it's sorta understood but still.
For some reason counting the same number of notes each way always finds the exact chord, even if it's a randomly chosen note to find a chord for.
D/F#/A, C/E/G, E/G#/B etc always finds the exact chord for them things. This website has no "why it's like that" section
ALSO, wtf also...
"Dominant seventh" chords always have this formula going on.
From first note to second note of those types of chords is always 5 semitones. Then from the second note of THOSE, 4 semitones. Then the third note of those chords is 4 semitones to the last note of the dominant 7th chord on that website.
The patterns are simpler than I thought, I think. One example is this Dominant 7th chord from teoria:
D/F#/A/C For them types it always go like that, the 3 note chord formula never work on the 4 note chords vice versa
5 semitones up/down finds the second note of a three note chord, going back to root then counting 5 whole notes up/down is the 3rd note it seems.
So basically that huge chord list I found earlier on was really not necessary since it seem like learning how they would form is actually faster than memorizing just the chords after all. Each chord even seems to stay in the scale too.
This stuff is actually pretty useful when it's sorta understood but still.
For some reason counting the same number of notes each way always finds the exact chord, even if it's a randomly chosen note to find a chord for.
D/F#/A, C/E/G, E/G#/B etc always finds the exact chord for them things. This website has no "why it's like that" section
ALSO, wtf also...
"Dominant seventh" chords always have this formula going on.
From first note to second note of those types of chords is always 5 semitones. Then from the second note of THOSE, 4 semitones. Then the third note of those chords is 4 semitones to the last note of the dominant 7th chord on that website.
The patterns are simpler than I thought, I think. One example is this Dominant 7th chord from teoria:
D/F#/A/C For them types it always go like that, the 3 note chord formula never work on the 4 note chords vice versa
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