Penny and Giles are synonym to extreme quality, but not only in faders like Dist pointed out.
The faders from Penny & Giles got their reputation mostly off studio consoles. Any respectable mixing console (stage or studio) uses P&G faders (A&H, Soundcraft, SSL, AMS-Neve, ...). Needless to say this means extreme good quality (you can't really say dj'ing mixers are comparable to studio consoles quality-wise. Really they are a level higher).
There are in fact three brand names that make "quality" faders : Noble, ALPS and Penny & Giles. With quality faders I mean, faders designed to last (unlike the "homemade" faders of Gemini, Numark, JB sys and consorts).
If I would rate those faders from good to less good, it would go like : P&G, ALPS and finally Noble.
But yeah it's true, P&G faders usually come on "mixing" mixers, and less on scratch mixers. P&G are way more precise, but also a little more vulnerable (although there's been a lot of effort done to improve that). The xone can have optional P&G xfader, I'd say if you can afford it, go for it!
The first mixers I've seen that could accept P&G faders were... Rodec MX series. You could optionally fit P&G channel faders (instead of the standard ALPS ones) on the MX180/240/34/300 (only channel faders, not xfader, the MX aren't really scratch mixers, xfader isn't used much on Rodec).
And Angelic was right, the mkI Xones had an Alps xfader, the second revision have a P&G one (optional on the 32).
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