Phug your beets rome. Y'all ain't garden like me!
I actually forgot how to use Ableton LIVE...
I fired it up yesterday and there were so many available loops to use... I figured, why bother making a beat... just slap these loops together... I was done in 10 minutes... technology killed inspiration...smh.
Someone said something inter-dasting....
Mustard's set vs. a Kid Capri set... who wins...
I got my money on Kid Capri...
Daym I really wanna see what the hype is and feel this cat! But, he did the some basic transitions that have been by DJ's for the past 15 years and used the typical 'get live' tracks...I heard zero blends. And the scratches were pretty beginner IMO.
What I can respect, though, is that he still had that packed place madd live...and it's interesting that the first Jay track he plays is produced by the Neptunes - he respects his elders and I respect the tunes he played for "his inspiration". Check out the first track he plays and tell me he made up this "Mustard sound".
Thank you for sharing this because I'd always heard he DJ'd but never saw one of his sets...I'd wildout at one of his shows no doubt and, in the end, that's what a good DJ is supposed to do.
He is so bad its like a parody of a bad hip hop dj.
If I had been there and high on bathsalts like the rest of the crowd, I would have been sure Skrillex had done it as a joke.
He loses that crowd over, and over, and over with those offbeat cuts after playing twelve seconds of a track.
Believe it or not, even the kids want to hear more than half a measure of a track...
It is a ridiculous display of "DJing".
I was half expecting Dave Chappelle to peal back the mask..
Someone mentioned Kid Capri playing old tracks which the younger generation probably wouldn't give time to. Probably correct, however, when someone young here's a sample and then the whole original record, you'll get a crowd of "OOOOOOOOOOOOHS!!!!!" They may not dance to it smoothly if it's their first time hearing it, but it'll be sure as Hell better than having to switch up the dancing every 20 seconds, once the next track starts playing (as highkoo mentioned). For example, Busta Rhymes released the "Thank You" record which my friend went wild for, then I was out with him in a local bar, and the original Alicia Meyers track came on. He went crazy for it. (So did I, may I add...)
Someone mentioned Kid Capri playing old tracks which the younger generation probably wouldn't give time to. Probably correct, however, when someone young here's a sample and then the whole original record, you'll get a crowd of "OOOOOOOOOOOOHS!!!!!" They may not dance to it smoothly if it's their first time hearing it, but it'll be sure as Hell better than having to switch up the dancing every 20 seconds, once the next track starts playing (as highkoo mentioned). For example, Busta Rhymes released the "Thank You" record which my friend went wild for, then I was out with him in a local bar, and the original Alicia Meyers track came on. He went crazy for it. (So did I, may I add...)
Also, doesn't anyone think that trends are set by repetition in music? If Kid Capri started getting gigs like that regularly, don't you think the masses will start obtaining a much broader spectrum of music to dance to? Therefore, club music will be more diverse? The only reason why the music Mustard played was okay, was because people had heard the tracks enough to dance to it. Or maybe it's a case of people nowadays just not knowing how to dance. In which case, then the music doesn't matter.
Anyway, with people listening to a wide range of music in their leisure, what's stopping there from being more diversity when it comes to club music? Maybe it is diverse in some areas. Let me know.
But just a few thoughts. I'd love to hear everyone's opinion.
I do think if the event is marketed correctly with the right combination of hosts, it could be quite successful. You'd need young relevant hosts to validate the music to the younger crowd and they'd have to include music also from other periods too like 90's rap music and even the DMX, JA Rule era. Switching it up keeps it fresh.That's the great thing about the dance scene. They don't overanalyze the music. They just want to dance, enjoy themselves and the effects of alcohol and whatever else drugs they may be on.
We only disagree on the over analysis bit, the rest I agree with. I know way too many people who over analyse the music that's being played in the club, or how it's being played... Even I do to a degree. Perhaps it's just UK culture though. People are just miserable teenagers here (for the most part)
diversify your skill set in order to generate income from multiple revenue streams.
Bingo.Was DJ Mustard rocking stadiums of people as a DJ and then decided to get into the production side or did the success of his production open the doors to be able to DJ in front of pack crowds? If its the later (which i suspect) then it means being a music producer is still a financially viable option but the money (same for the artists) is now mostly on the performance side instead of the recording side.
Understand the importance of BRANDING and diversify your skill set in order to generate income from multiple revenue streams. Unless your producing Top 40 smashes on a consistent basis music production is basically your branding tool more than your ultimate source of income.
Now get back to making your beats...