Creed WHY!!!!!

Kaleo

Ballin Outta Control
Why did they have to break up!

sq-tremonti-looks-down-mtv.jpg

Mark Tremonti-

ORLANDO, Florida — The biggest rock band of the past decade has broken up.

After nearly 10 years together and more than 24 million albums sold, Creed have decided to put an end to their string of multiplatinum records and chart-topping singles. The choice was made months ago, when guitarist Mark Tremonti and singer Scott Stapp reconvened after a yearlong hiatus and ran into problems.

"We had gotten together two or three times and nothing happened," Tremonti explained. "We got our instruments and played, but neither of us was taking it seriously. We were just running in circles. There wasn't a vibe like on the previous records. It felt very joblike. We knew that it would take us years to get a record out."

The trouble wasn't that the collaborative couple — Tremonti was responsible for the music, Stapp for the lyrics — were clashing creatively. Personal issues, mostly between Stapp and the rest of Creed, caused an irreparable rift that ultimately led to the band's demise.

"Scott and I hadn't been close for a while," Tremonti said, "and things just weren't working out. ... None of us really argued amongst each other. It was always Scott who had the problem."

Stapp declined to be interviewed for this story.

The animosity apparently began to churn two years ago, while Creed were promoting 2001's Weathered on a tour that Tremonti and drummer Scott Phillips described as long and grueling. For starters, to preserve his voice, Stapp sat out soundchecks, which had been where the bandmembers would goof around and playfully bounce new ideas off each other. So Tremonti was forced to germinate those ideas with Phillips and touring bassist Brett Hestla, who had replaced founding member Brian Marshall in 2000, and the collaboration got under Stapp's skin.

Having to postpone several dates because of Stapp's April 2002 car accident (see "Scott Stapp Discusses Accident That Derailed Creed Tour"), and a few more shows later that year due to his bout with laryngitis, only added to tensions in the band. Meanwhile, the other bandmembers got the sense that their singer wasn't as committed as they were, and his attention seemed fractured.

"It's not fun to count on other people when they're not that focused," Tremonti said. "Scott wasn't in the mindset that we were. He wasn't as focused on the current tour. He had 800 things on his mind, and I think that distracted him from what we were doing."

Among the ventures that Stapp was exploring was a clothing line called Screamline and forays into acting.

"He definitely had his plate full, whether it was professional or personal," Phillips said. "He always had the cell phone going," the drummer added, with an eyebrow raised to relay his disgust.

Well aware that something wasn't right in the band's dynamic, Stapp, Phillips and Hestla began talking about their situation, though they didn't figure a permanent split was imminent.

"When every day just seemed to get weirder and weirder, it's natural to start discussing that with the people around you," Phillips said. "There wasn't ever a point where anyone was like, 'All right, I'm done with it.' It was more a question of what exactly is happening. What's going to happen tomorrow night? What's going to happen three months from now?"

The pinnacle of Creed's problems took place in Chicago in December 2002. Whether Stapp was inebriated or simply sick, as he had claimed, his performance was so terrible that some members of the crowd sued the band for sucking. For a band proud of its reputation for exciting and passionate performances, such a show was inexcusable. Some fans even balked at Stapp's heavy-handed Christ-like poses, which he claimed symbolized that he "had some things going on in [his] life," "kind of felt alone" and "didn't think anybody had [his] back at the time" (see "Creed Singer Defends 'Symbolic, Personal Gesture' He Made At 'Drunken' Show").

"My entire family was at that show," Tremonti said, "so I was very irritated. But I forgave Scott for it. I talked to him about it, [but he didn't] offer any kind of explanation. That's probably what bothered me the most. There was no closure on it. It was like, 'Let's keep moving on,' and I was like, 'Well, we've got to address these issues,' but we just never did."

The guitarist wasn't really much help in explaining what caused Stapp's uncharacteristic behavior that night, since their strong friendship, on which the band had been built, had deteriorated.

"We didn't really speak too much, so as for what he did on his personal time, we had no idea," Tremonti said. "We just knew that [over time] he would just slowly act a little more distant and do things that we didn't really approve of. So we really don't know what happened in Chicago, except that it was a low point in a long year."

Following the tour, the band rested for the next year, a move spurred more by Stapp than by his bandmates. According to Tremonti, Stapp's outlook for Creed entailed making an album every couple of years and then touring for only a few months. To the workaholic Tremonti this wasn't acceptable, so he figured he'd vent his creative juices in a side project.

Although the speed-metal-minded Downshifter never got off the ground (Tremonti had envisioned working with Hatebreed's Jamey Jasta and Slipknot's Joey Jordison), just the mere thought that his songwriting partner would apply his talents elsewhere bothered Stapp.

"We kept having [personal] problems, and my side project turned into 'Creed is not working,' " Tremonti said. "And to keep performing, I had to make a decision to move on."

The last time he spoke to Stapp was in February, when the two were still trying to rekindle their creative fires for the follow-up to Weathered. When collaboration and reconciliation proved futile, Tremonti introduced the idea of a world without Creed.

"We just wanted it to be fun," he said. "And it just got to the level where it was so political and there was so much drama that it just drove us crazy and you just can't ... We wanted to do this for the music, and you're not supposed to be in a rock band to be miserable or have to walk on your tiptoes around people."

Tremonti's side project took a more serious turn when he recruited Phillips and Creed's original bassist, Brian Marshall. The trio enlisted singer Myles Kennedy, formerly of the Mayfield Four, and Alter Bridge was born. Since February, the band had been working on its debut album, One Day Remains, at Tremonti's Orlando, Florida, home studio. The disc is due on August 10, with a first single, "Open Your Eyes," expected to surface later this month and a promotional tour of radio stations slated for mid-July.

"I'm more driven now than I've ever been," Tremonti said. "If you've tasted it and been there, you need to get back. Rock and roll, to me, is like a drug. I need to get out there and perform and get the music out there. That's why we've been a band for only five months and we're coming out with a record in another two."

Stapp is working on a solo album with hip-hop producer 7 Aurelius, according to a Wind-Up Records spokesperson. Before that is released, however, he'll contribute a track to an album inspired by the film "The Passion of the Christ," which the label will release August 31 (see "Creed Singer Offers Songs To Mel Gibson For 'The Passion' ").

"Creed was one of the most amazing journeys through music and friendship I am blessed to say I was a part of," the singer expressed in a statement. "I made memories I can never replace. I just want to thank the fans who supported us and became part of the Creed experience. We could not have accomplished anything without you!"

While perhaps surprising, Creed's breakup is hardly unique. Often a band formed by the best of friends can self-destruct when confronted with the pressure and blinding sheen of success.

"People in bands, at first they're high school or college buddies who just want to get out there and rock," Tremonti said. "But after it gets to a bigger level, it turns into a business where people have to make decisions about their careers, and people see things differently. You start to see your friends as somebody who might hold you back from something that you really want to do. Their opinions might not be your opinions, and a friendly disagreement might turn into a career-ending decision."

Whether you loved them or hated them, Creed had always inspired strong sentiments in anyone who heard their music. Tremonti and Phillips just want the band's contributions to be recognized.

"When Creed came out on the radio seven years ago, there was a lot of poppy radio music," Tremonti said. "I think 'My Own Prison' was the first song [in a long time] with a serious tone and a message behind it. After that, a lot of radio programmers started programming more serious-sounding rock and roll, and I think that's what I'm most proud of. Creed perhaps opened the doors for some other bands who may have had a message."

"Even if you loved us or hated us," Phillips emphasized, "remember us."

— Joe D'Angelo, with additional reporting by John Norris

Sad day for Kaleo.....:(

creed_press10-01.jpg


"Hold me now. Im six feet from the edge and Im thinkin'...maybe six feet aint so far down..."
-Creed
 
Last edited:
to be honest with you im not surprised and im glad, they wouldnt fit any where anymore and there music is old and dated
 
Mackie said:
to be honest with you im not surprised and im glad, they wouldnt fit any where anymore and there music is old and dated

BAN HIM!!!!!!!!! :mad:







































:p
 
To be honest, anything after "my own prison" is annoying. Every single that came from "human clay" gave me a reason not to listen to radio. I agree with Mackie....


-Geoffrey
 
geoff_emerick said:
To be honest, anything after "my own prison" is annoying. Every single that came from "human clay" gave me a reason not to listen to radio. I agree with Mackie....


-Geoffrey

BAN HIM TOO!!!!!!!!! :mad:
 
I 3rd that. I hate to say it kaleo, but creed kinda sucked there at the end. O, they really sucked at the end. they were not progressing as musicians, they used the same ol riff types, the same sounds. This is the same reason i dont liek linkon park anynore. Honestly, can anyone say that linkoln park has not tdoen the same exact thing in every song? i cant. it all sounds factory. Just like hoobastank and disturbed and stained. If you ask me it is all factory. Dont get me wrong, the actual mixing and mastering sounds good and all, but i am ready for something new. thanx.. Oh yah, ban me too.
 
OK, heres a comparison. Look at Aerosmith for example. I;m not saying you gotta like me or anything but look what theyve done in the years theyve been rociking. Stven tyler first started in '65. aerosmith didnt actuualy get formed till 69 or so. 35 YEARS MAN!! ok, you have to be doing something right to survive 35 years.And ill tell ya what they were doing right. PROGRESSING> No 2 albums can be called mimics or mirrors of one another. Even the ones that probably had songs that were supposed ti be on the album before it. They never became content with what they had and what they were doing. they kept on enhancing and progressing. But unlike most bands that try to switch up "vibes" they didnt suck at it. They never gave up quality for style. Look at metytalica for example. What did they do? they rocked mega hard for a long time, but when speed metal started gettin lost to grunge and what not, they didnt know what to do. In the end they ended up Hiring hulk Hogan as a bassist! yes, that is true., they really did. My point is that aerosmith has survived the agese through Evolution and innovation. To make a long story short, survival of the fittest. Rock is one of the hardest genres to do that in. Unlike hip hop, rock needs to be fresh all the time, but it needs to hold on to certain qualities that make it what it is. creed couldnt do that. They ended up being Stagnant and producing the same ol sh*t. therefore, they perished. So my dislike towards creed, and hoobastank, and disturbed, and stained, and almost every other new "rock" band isnt personal, it is just becasue they are "flash in the pan" bands. Never meant to make it far. Please forgive my long winded speech. i am doen now. :)
 
Totmacher said:
I 3rd that. I hate to say it kaleo, but creed kinda sucked there at the end. O, they really sucked at the end. they were not progressing as musicians, they used the same ol riff types, the same sounds. This is the same reason i dont liek linkon park anynore. Honestly, can anyone say that linkoln park has not tdoen the same exact thing in every song? i cant. it all sounds factory. Just like hoobastank and disturbed and stained. If you ask me it is all factory. Dont get me wrong, the actual mixing and mastering sounds good and all, but i am ready for something new. thanx.. Oh yah, ban me too.

The reason why Linkin Park is sticking with the same sound is because if we remember right, "hybrid theory" sold very well! According to MTV2, "hybrid theory" was one of the "best" records in the past 25 years. Can you believe that? I can't. Anyway, they are sticking with the same sound hoping to achieve the same success that came from their first album.

-Geoffrey
 
Last edited by a moderator:
lmao!! a lot of good replies...i think maybe that some people are just in love with scott stapps hair or something
 
Last edited by a moderator:
i think that bands like Nickleback and cold have taken up all of creeds fanbase anyway, coz they sound so much like each other
 
Mackie said:
i think that bands like Nickleback and cold have taken up all of creeds fanbase anyway, coz they sound so much like each other

I know you ain't say Cold.

Maybe you meant 3 Doors Down? Or Theory of a Deadman?
 
im not defending creed or hating on them. my comment is for the people that don't like linkin park because they didnt change. They fit the style they have all too well and if it changes it aint linkin park. simple as that. thats what they're known for. every song on meteora mimics the songs off of hybrid theory for a reason. it sounds good.

what should they do? Do you want them to pick up acoustics, move to the mountains and sample running water for effects? give me a freakin break. lol....

Meteora could have been a little heavier though. that would have been nice, even so songs like "Breaking the Habit" are just unparallel with anything in their genre. Sh!t, if you ask me, they were taking a huge change with that song and turned out excellent.
 
Last edited by a moderator:
what should they do? Do you want them to pick up acoustics, move to the mountains and sample running water for effects? give me a freakin break. lol....


lmao. no, i understand why they stayed the same, but at the same time, would of it been that hard to find a twist to apply to their music? i think probably not. I am a firm beleiver in outdoing yourself everytime.
 
Totmacher said:



lmao. no, i understand why they stayed the same, but at the same time, would of it been that hard to find a twist to apply to their music? i think probably not. I am a firm beleiver in outdoing yourself everytime.

a slight change did take place, with a more evolved electronical approach imo. however, i do see what you are saying. it could have been a little better with a heavier edge. Oh well, album 3 may sound completely different then the first 2.
 
Back
Top