jahrome
Diamond Member
moyphee said:That's not an explanation it's an excuse. It also one of main reasons legacy owners rejected it.
One day you'll have those keygroups...one day. Until then the 5000 has some very serious issues to deal with.
BTW - professionals use what works not what's in or trendy. That's why vintage Neve compressors and strips rule over any plugin -and real analog synths are so sought after. It's why the all powerful software isn't used by the top industry's mastering engineers. specs don't trump sound and functionality. Given the system to system inconsitancy of plugin use, I don't know any working professional in a commercial facility that would choose 20 instances of a plugin over single real Teletronics, Manley, or Millenia unit.
You are correct. Legacy MPC users rejected the MPC 4000 and MV-8800 because the workflow isn't lie the previous MPCs. The MPC 5000 is exactly like the legacy MPCs in spite of adding keygroups. The way the MPC 5000 adds synths and keygroup programs is perfect.
Now I clearly explained to you what professionals use. Because of your weird obsession with hating on Akai, you can't think logically. Software samplers are not trendy. They are the industry standard. Professionals do not use 512 MB samplers today....over 8 years ago yes...but not today. The $2500 units (hardware samplers) cannot load and take full advantage of this $4000 sample library: https://www.sweetwater.com/store/detail/VIStringsPkg/. If you actually created music, you would perhaps know this. Keygroup samplers are obsolete. However, the MPC 5000s 4 MIDI outputs and the 12 Q-links which send MIDI CC's messages to control numerous hardware and software sound module/sampler parameters to integrate with a highend studio. The MPC 4000 and the MV 8800 does not have this level of power. You can spin it anyone you want, but they don't compare to the MPC 5000 with OS 1 and cannot certainly match the MPC 5000 with OS 2.