duder,
I must say that after skimming through both(MPC & EMU) manuals, the MPC does appear to be easier to work with. Looking at some reviews, most say that it takes time to take full advantage of the Command Station.
homershines,
Not getting anything is an option as well. The thing is, programming drum parts, which is my favorite thing about my songs, takes way too long. And I can't establish a groove because I have to record one drum sound at a time. On the MPC or Command Station, I could record real time and adjust timing errors after. And more drum sounds wouldn't hurt. But if I try these machines out and I don't get the idea that it will improve my work or at least speed it up, then I won't get anything.
The more I think about it, I'd probably have to put just as much work in on those other machines. I only have 2 hands, so I'd have to make several passes to record the whole kit any way. It may be that I'm growing tired of the DR 770 sounds. With that in mind, I may get the same way about the EMU like you said, but my decision was much less informed when I bought the 770. I'm probably thinking about this too much without having these machines in front of me. Who knows? Those sounds I hear coming from the EMU could be tweaked to death. Tweaking for variety is one thing. Tweaking to make a sound usable is another.
Yeah, I frequent the digi sight almost everyday, mostly for mixing tips and technical issues. I make my way around Pro Tools pretty well. In the end things come out they way I want. I just think I spend too much time working on drums... tweaking on the 770, then tweaking in Pro Tools.
The Groove baby, the groove...
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