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I used the last in 1992! :) Before I'd had the headphones has k7 Aiwa walkmans, etc. .. lol nothing to see what the akg K140 my father, not very comfortable .. this sony headphones was a revelation for me, I've still enjoy al use.
I found these speakers in a bad state at the suspensions. After a little control in the U.S. and a few hours of work, they found a second life. I have listings and original cartons, they are now in a new state. They are a small DriveES LUXMAN L30 despite 100 watts of 4408.
for 2 months No, this is my first disco ball has LED RGB + Power and the beautiful colors of the LEDs! The number of beams +! + Dynamic effects! + Offers fairly well integrated program via dmx screen + Light - 2 fan noise the value for money is more than adequate and compare it to the competition are cheaper bcp
for 6 months No, this is my first double scan + Its effect more dynamic rotation mirrors + Nice color RGB LED + Does not heat + Setting is automatically integrated micro - Its size a bit pricey for what it is
For almost 3 months Yes, I owned a model more "upscale" unfortunately too hot for my taste (1U) and power was to me like a little more than this amp and yet he was indicating that he was double the power of this one ... + Power hard sandstone its small watts even as he gives + Easy to use + Signal and clip indicator and has a protection! + Component ventilate and do not heat + The desing is still cool - Case is not very strong for my taste The value for money is more than okay
The technology used is simple: • Preamp 'HDG (upscale) transistor! • Alim external HDG, discrete & dark. • In & Out with p '48v. The rest XLR or Jack (according to use Mic or Di). A facade could not be more clean from any unnecessary artifice, there is something radically in form, as in the background with the sound quality of this machine! The types of effects depending on the background of the input & Output Gain. The phase inverter gives something nice ... yes, yes ... ;-)
How long have you use it? 2 days Have you tried many other models before buying it? yes, rover jb What is the particular feature you like best and least? power, multiple beams, the simplicity of use with the control coil RF8 dmx without son acquire? How would you rate the quality / price? so despite the price With experience, you do again this choice
The Fender Sub-Lime is a Fuzz analog (I think), Made in Korea (good stuff!) A mindless Fuzz. A heavy steel box, but pretty darn solid! And with style!
Analog & Transistor / Lamp. We have a hybrid opto-compressor! The quality is in my opinion the appointment. Still, the allure of Avalon knows reassure his little world. It is not unreasonable, because for "destroy" these machines, he must call the great Thor himself with his divine hammer! ;) More seriously, the Avalon range is what it is: clean, sturdy, dark. I love ... ... at the back, it will be the XLR. There is an efficient heater, it does not heat up too much. The connections are good (and also fortunately)! No, but ... As for the effects, there is an EQ section. We talk sometimes! The "Contour" through setting parameters Side-Chain is a more ...
Hello I use these mics for about two weeks before I had gold lace sensor and fender hot noiseless silent but very cold compared to the set 60 marc, sweet and biting following the attack on the mediator microphones. marc and a nice guy and very patient good advice report quallié inbatable price and I pass the info to my buddy scratch
http://www.focal.com/fr/cms/220-cms-sub-3544054801307.html The official site for more features. The usefulness of a sub is not a show and it is essential in the studio who wants to hear everything and be able to work on the bass. Some are able to experience and mastery without it but we can not deny the usefulness of physically hear and feel the bass and sub bass. For those who have a suitable environment (no nuisance to neighbors or other constraint). We can only advise the purchase of a subwoofer. CMS sub is quite large / bulky and quite heavy (23 kg). So do not plan the trip by public transport for transportation. And the first time you listen to music / soundtracks with good infrastructure, there's enough there to be surprised and afraid. The feeling in the stomach vombrissement is very surprising the first time but quickly addictive on the other hand lol But beware, a subwoofer is not used by everyone and it is due to close its former owner sold me with regret. Otherwise, the connection is provided and well suited to studio work and aid proper positioning of the sub in the room for a comfortable and precise listening. It will look a bit before finding the right balance between sound and sattellites the box if this is happiness.
I have the 725a acute it's not good bass sound is not all good quality one day I have disassembled by curiosity I stayed San word by HP 38 poor manufacturing steel bowl over the very end fixing screws carpentry on plastic sounding brief the rcf it Fai Jai including the economy to win the max ... I return to the system not amplify wooden rack and you have to see
100% analog mono synthesizer semi modular mini keyboard with three octaves (this is not a mega keyboard but it is quite playable) A modulation wheel and a push button patchable. Input midi in and midi out USB Patchbay with many more parameters Esp that transforms audio resume and trig.
Dynamic microphone that is more traditional ... A reference to the stage for a long time, it is widely used on vocals, sometimes brass, versatile enough so
digital multi-effects with USB output.
Dj retired I was looking for a nice tool to mix a little at home. This little controller is really good. I mapped with Traktor Pro2 and after several hours of trying and personal settings is a real toy for big DDJ Ergo. I was afraid of buying a gadget quenini but it's a small killing. K looks better but my dealer had not in stock ;) Voilou, a very good machine that blends very well with the software Traktor Pro2 treats my daughter and 6-month ave these little light!
all the classic effects of a multi ..
analog flanger 24 V power supply provided
It comes from China, slim handle type 60's, microphones Burstbuckers Epiphone with the "new" connection (more welding) on the knobs and switches that them are a little scary. Grover Deluxe. Semi-hollow with central beam and weighs in 3.0 pounds. The set is pretty well finished at the violin, the hardware is not the Gibson and it shows. Brief.
I use it for 2 months. I had the opportunity to test any other model attenuator before. It meets two needs: 1. Able to use my system Engl E530 - Mesa 20/20 - OUR Cabinet 4x12 "at home by pushing the power amp and without damage to the ears and the neighborhood 2. Mesa also integrate in my recordings, knowing that I work exclusively made "silent" no microphone to the speaker. Until then, I captured the output signal directly from the Engl preamp to an input of my sound card, with the attenuator "loadbox mode" I get the output signal from the power amp. Features: I chose this model because it has all the features I needed, it is properly sized for my amp power level while the competition is usually around 100/150 Watts (and cheaper!) and that's the craft made in France! It is very simple to use: the output of the amp input on cable, and speaker output, then select the level of attenuation. A switch allows you to bypass the attenuator, and another to use loadbox mode ie with an "infinite attenuation" can be downright safely disconnect the speaker grill of the amp. In parallel, it has a line out for use on a mixer or sound card input, the level can be adjusted via the knob on the front. It may therefore be appropriate: 1. Use only the attenuation function 2. Using the attenuation function AND swing along the line output to other equipment (sound, sound card, or another amp) 3. Use only the line output from the attenuation mode loadbox Note that the housing has a second output to eventually connect a second speaker. I do not have utility for the moment, but considering the price of the option (10 €) ... Use: Pure bliss! Finally I can push my amp lamps and thoroughly enjoy it at home! When I turn the channel volume of the amp connected to the attenuator background (20W so), the maximum attenuation (-30dB) would play in the apartment, for my part I use one of the two lower levels (-27 or -24). For an amp of this power Power Attenuator 50 is perfectly sized. Meanwhile, the spectrum seems very well preserved, I do not have the sensation of sound alteration. Ditto for recording, I use behind a speaker simulation software to IR base and it sounds really realistic. On clear and distortion low-gain sounds, the color of the power amplifier is obvious compared to my previous config (IR applied directly to the preamp signal). Anyway, now that I have this little box it has become indispensable to me. I recommend it to all those who have the same needs as me. In particular, I think it is really a solution that really works for home studio owners who want to catch quality guitar without having to manage the problems associated with the use of a microphone in front of the amp (quality of micro, positioning, size, sound insulation, noise ...).
I use the microwave for a few years but I did not know he was a pro Burstbucker. And I fell up when I found out! Usually I do not like these pickups too but it is a real killer! So I said: I have a 2005 Les Paul (bought new) that was equipped with the original pickups, pro bb chrome then, and a 1999 Les Paul (used) with a micro bridge bb pro gold finish. Oddly I find that there is a difference, we feel mics 2005 bit stiff, coarse, while gold is both bold and soft tender but still very robust, with a trashy side. This is not necessarily what I'm looking at the bottom but it really has a character that I will be hard to pass me. So is this-that the difference stems from the fact that he is older or the gold finish? Probably aging micro I guess. I should mention that I changed the pickups in my Gibson 2005, so I can not stand the bb pro at the base, with SD Alnico II Pro (not Slash signature, but those that actually used in the time Guns n 'roses). These microphones are very good but I prefer my bridge pro BB though less versatile because its grain is huge!
ThrillseekerXTC is an analog stereo excite emulation, which adds "mojo" voodoo magic to your music It is a Windows 32-bit VST (no 64bit or Mac) as developed SynthMaker PC, just copy the DLL into the VST folder
Everything has been said. Keypad 73 keys
Singing with microphone (sm58s) or without switch (SM58) used by a lot of bands and singers. Rather directional, it does not take too much of his side which is useful. But better to sing in front! The Beta version is more expensive, with more output and especially a wider band.
Well, the description is minimal and visible in other reviews, so no need to go over there. Just be careful, 7 watts or 15 watts, it is not speaking as head spits VERY VERY strong, in an apartment, not to exceed one volume! For those who complain that it lacks a channel to be a good head etc, when you buy a head with only one channel, we know that we will receive, otherwise buy something else ... (A little more for the effects loop often not present on these little amps)
Version one rack. Connectors XLR microphone input Line input, direct out Jack symmetric Jack insert 16 mono channels, 4 stereo (dual mono) 48 V, 80 Hz low cut, 4-band EQ (two semi-para and para 2) and phase reverse channel 6 to XLRF, 2 stereo returns Jack 7 matrices XLRF 4 groups mix Firewire 24 items - 24 returns with ProTools, Logic, Reason ... 24bits/44, 1 or 48khz Only negative, no ball sync possible, no automation or total recall
15 watt all-tube combo (very high volume!) With two separate channels - Normal channel: gain - Top boost channel: gain, bass treble - Shared between the two channels: master, tremolo, reverb Output for external HP series or cutting HP combo. 3 12AX7 pre-amp 2 EL84 power lamps Celestion Greenback speaker 12'' Finally an amp of this range with a standby button that allows heat to better manage heating / stop lamps. Made in china (for current models), very good build quality. Finish that is not too crazy, except maybe the handle. Heavy (the weight of my 7 year old daughter, ie 22 kg) but for me it is not a bad thing because the size and thickness of the wood that it does not vibrate when you start mounting the volume. The back is almost closed, giving a better overall sound reproduction (particularly on low). For me it lacks something essential: a switch shine. To understand what it is, see the topic "bright cap" (very simple modification of the circuit I made) -2 points, but returned with the mod. The two non-switchable channels are a bit old-school, but also the charm (-1 point) The look can like it or not, I love it. It is unmistakable, and it is super nice.
Made in S. Korea, Schecter high rock II humbuckers, 24 fret, ebony fret board, 2 volume 1 tone pull up split for single coil sound, 3 way selector switch, 6 strings thru body, Schecters adjustable bridge, exotic star centered at 12th fret. Dots are on upper edge of fret board very distinguished none on face, neck solid thru.
Small combo, HP 8 ', 5w. LAMPS 6V6 power / 12AX7 preamp + 1 lamp rectifier. 2 jack 6.35 (entered low and high) 1 single potentiometer button switch which also acts. important to note that this notice involves the 5F1 circuit with Amp Marsch amplification which is a clone of the field 57