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    Yamaha DXR10 - Very good speakers

    by defre2 on 07-22-2014 07:15 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=142485" alt="" title="Yamaha DXR10 - Very good speakers" /></p>Using DJ nights in reinforcement stripe background with DXR15 more Sub. Rehearsals Blues-Rock group singing, singing façade small places and back when DXR15 front is used for sound to all instruments, outdoor example. I like the sound definition for a model of this price, the bass that are present for a 10 "horizontal dispersion which ensures good return out of the shaft. Compared to DXR15 I also find that the connection between frequency woofer and compression is more balanced, smooth, as the 10 "is more comfortable on the lower midrange. The extensive rear connectors: XLR mono, Jack and RCA mono or stereo signals to share with another speaker out via the link, very useful when diffuse background music from a player at a cocktail party. The recess and weight, as the other models, which allows the double well of the bow to the audience. I'll just say that at the covers, I bought RCF models 310A and mm if pregnant float a bit once packed, the opening front / rear system is compatible with the enclosure mounted on foot .. . which is very useful in case of risk averse! I remake that choice without problem, the price performance ratio is excellent

    Focusrite Liquid Saffire 56 - Spot-on features and flexibility.

    by robdelap on 07-22-2014 06:42 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=65400" alt="" title="Focusrite Liquid Saffire 56 - Spot-on features and flexibility." /></p>There comes a time in every audio engineer's life when you just need lots of I/O at a time; recording drums with a variety of mics, a couple of musician's at the same time, or perhaps you're tired of plugging and unplugging your external gear every time you want to change setups. I'm a hardcore pro tools user, and I felt that avid's options back then didn't fit my needs. The 003 rack just had four preamps, and the other high-end options were just way too out of my league. Fortunately, Avid realized they had to let pro tools go out and play with the other children in the park and so, since pro tools 9, we can all look at the plethora of options out there and choose whatever suits us. Good times. This firewire interface caught my eye because it was one of the first to offer eight preamps, either XLR or line. Two of those can be used for direct instrument inputs, wisely located in the front. Each one has individual phantom power and HPF, though just two of them have pad option and only three phase reversal, which is no big deal if you plan your input list ahead. The real beauty of this interface though, is that it has two ADAT I/O, meaning you can add two additional ADAT-capable interfaces (like the underrated, inexpensive Behringer ADA8000) and get 24 analog I/O at the same time at 44.1Khz, which is more than enough to tackle 90% of mixing and recording situations. This without counting that it also has two dedicated outputs for your monitors and the traditional digital SPDIF I/O, which adds 4 I/O and thus, the 56 in the interface's name. "Liquid" comes from Focusrite's own preamp simulation technology, which is available on XLR inputs 1 and 2. These range from the Avalon 737SP, Helios, Neve 1271, Focusrite's own RED 7, UA's 610 and a couple more. The simulation, or 'color' of the preamps can be varied with an "Harmonics" knob, located in the software controller of the interface. Frankly, with the amount of processing we put on today's music, I feel preamp voodoo comes after to musician's performance, instrument quality, a faithful mic and it's placement. That being said, I've been surprised more than once with the timbre changes these simulations give; you can really feel a difference and most of the time for good. I'm particularly fond of the Neve 1071 simulation and I reserve these inputs for lead instruments or vocals. Most of the deeper features of the interface are controlled through Saffire's MixControl software. It's main purpose is for signal routing, say, connecting 'Analog 1' to 'Line Out 8'. This is of little relevance if you're mixing in your DAW since most of the routing should be done there, but some cool things can be done here, like routing two independent monitor mixes from your DAW to the headphone outputs, sparing the need for headphone amps fed through analog outputs in some situations. Oh yeah, it also features a loopback virtual input so that you can record whatever comes out of the interface, just watch out for feedback!

    Zoom G9.2tt - A monster in a toy body

    by Nyveak on 07-22-2014 04:16 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=95555" alt="" title="Zoom G9.2tt - A monster in a toy body" /></p>A range of effects and modulations quite staggering, all editable, modifiable with a whole bunch of equalizers, noise gates and so on ... Anyway! Manuel STRONGLY advised to use this pedal as it should. Modulations are mainly analog but two lamps can add the beans and a "tube amp" button on your belongings. There are normal audio inputs and outputs, made MIDI and a system of "looper" which really is not one and I unfortunately never really managed to understand ... In short this pedal is a gas plant where everything can be hacked in his small adjustments, maisis at the same time offers a range of preset patches ranging from fairly complete clean up big, mushy metal. In addition it has two pedals that can be assigned to all modulations. The second even offers a dual effect since can be used both vertically and horizontally (it gives free rein to all fantasies as a more or less friendly or weird!)

    Boss OC-3 SUPER Octave

    by neige on 07-22-2014 03:40 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=10874" alt="" title="Boss OC-3 SUPER Octave" /></p>various effects but mostly I use the classic octave bass loops for eg good potato printing guarantee if you play in the mind / /

    Gibson Midtown Custom - Ebony - Worse and worse ...

    by tubart on 07-22-2014 03:29 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=134341" alt="" title="Gibson Midtown Custom - Ebony - Worse and worse ..." /></p>Hollow-body guitar fourth cash of the U.S. firm which has ceased to provide input range more expensive and less well made instruments that other less popular brands ... A gibson logo flatters ego of musician, but I would still like to shed light on this guitar devastating look enticing on paper, but the quality of frankly dubious achievement for the listed price and what one is entitled to expect of a brand like Gibson. _table and flat bottom plywood _filet multiplication table _manche glued "mahogany" worked vulgar or otherwise derived from low-end mahogany orange coarse grain and very soft. I repaired a handle deMidton there a few months, I handle fully sanded, it is close to the wood crate; without exaggeration. _touche black composite resin _inlays key in perloid (= plastic imitation pearl) _filet key covers the ends of frets (= freight binding) _logo head and split diamond stencil way, namely thick perloid imitation pearl on which is painted a black stencil leaving tranparence appear in the logo of the U.S. firm and the famous split diamond characteristic upmarket Gibson ... before it type of shovel. Fillet table that protrudes from the surface of the wafer within a two notches, polished in a hurry and just dry varnished (a piece of cloth marked its fiber this one when I reattached head ...), nets key scraped by a lumberjack, polishing leaves to be desired (it does not "vintage" or "weathered" but simply broken) ... I already had this impression finishing misnamed on the model I repaired it a few months ago, it confirms this deplorable. Objectively, this guitar is less well done that quite Epiphone models I&#39;ve seen lately, it said. I also repaired two Epiphone les paul recent Chinese (neck broken at the head, a classic) and a gibson SG standard 95 there is little wood handle of midtown is identical to that of the two epiphone there or one of the gibson SG was a denser mahogany, dark and tighter than the Midtown grain. On this point, really, it&#39;s just okay.

    Gibson mach II (U2 renommée)

    by trevellin on 07-22-2014 02:16 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=218428" alt="" title="Gibson mach II (U2 renommée)" /></p>the gibson U2 was manufactured from 1987 to 1994. the gibson Mach II I present today is a Gibson U2 but renamed "Mach II" and was manufactured from 1990 to 1991. mine wore No. 93310701 series. late 80's and early 90's there was this wave of guitar heroes that exploded in the face of the world, gibson, aware of what potential customers wanted to seduce producing, too, guitars superstrats. thus were born the gibson U2, US1, US2 and WRC (wayne richard Charvel). the gibson mach II had the following characteristics; -Basswood body chamfered at the stomach and right forearm like petrucci musicman. Maple neck, ebony fingerboard with 24 frets perloïd pins. Grover-mechanical. Header explore. Easel floyd rose by schaller made in germany. -2 Single coil pickups and one humbucker gibson. Particularly based on 4 electronic switches on / off for each mic and 1 master volume knob (which splits the humbucker) and tone.

    Marshall 2061X - inoperative ...

    by Qillax on 07-22-2014 01:46 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=27234" alt="" title="Marshall 2061X - inoperative ..." /></p>JMP amp types (plexi) by Marshall handwired 20W Lead and Bass 2 channels (for use with an A / B box) 1 volume, 1 tone per channel 1 on / off not standby 1 high input and low input per channel 1 2 x EL84 for power and 2 x ECC83 for the preamp, rectifier diode

    Neutrik NYS-SPP-L1 - Good product!

    by Laurent.16 on 07-22-2014 12:57 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=103342" alt="" title="Neutrik NYS-SPP-L1 - Good product!" /></p>I use it for 6 months, this is my first patch so hard to say it's bad ... It seems a little fragile connection / disconnection but I have no problem with, it works fine. For the price it's still okay to Neutrik therefore finish and manufacturing quality level. Using little patch levels to route my lines it holds the road yet to connect my devices, it does not change the sound that is very neutral! This is exactly what we asked ... I would do this choice because the price is correct, but the second patch if need be certainly something better.

    Promann PA 230 - huge!

    by soundfivee on 07-22-2014 12:54 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=12248" alt="" title="Promann PA 230 - huge!" /></p>- Used last year - Hk audio, nexus, hortus granite ect - The sound, the dynamic pressure 1000w rms and 100db sensitivity made in France - Less weight does not fit in a car lol - On occasion it's still quite expensive for a product of ten years but it has given the scarcity of the product - Yes it makes me many services a hell of fishing an impressive dynamic if you can find a pair in good condition go for around 1000 euro you will not be disappointed

    Art P16 - The top!

    by Laurent.16 on 07-22-2014 12:49 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=145602" alt="" title="Art P16 - The top!" /></p>I use it for 6 months, this is my first XLR patch. Quality is to go and the construction is very solid, the finish is really good! XLR patch in there is very little pattern, I hesitated a bit to buy it because I did not know the brand, so I really do not regret! The connection is solid after several connections and disconnect it does not move. I love the possibility of reversing the connection that allows two patch for I / O. I bought it in Germany in a well reputed suppliers! I would do this choice without a doubt!

    Mindprint En-Voice - The Swiss Army Knife!

    by Laurent.16 on 07-22-2014 12:22 AM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=1210" alt="" title="Mindprint En-Voice - The Swiss Army Knife!" /></p>It is a slice pre-amp Class A console with EQ and compressor lamp. The lamp operates only on the floor EQ / Compressor. 50 and 100Hz low cut that's good! I installed 19 "in my home studio connected only output / XLR input because I do not use the line input XLR in my case. I use it on vocals and acoustic / electric guitars. The available effects are noticeable on the compression and saturation of the lamp allows for a slightly more acute / saturated sound. Effects we can say but personally I think it's great not particularly convincing saturation of the lamp is very light and perceptible mainly voice. But it's very nice to have!

    Tornade MS Pickups Strat ’60s serie L - Superb!

    by Dd1212 on 07-21-2014 10:11 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=102955" alt="" title="Tornade MS Pickups Strat ’60s serie L - Superb!" /></p>I bought this kit to install with a full pickguard replacing an original set on a strat 63. Selector 5 positions I missed and serious micro dépareillait a bit with the other two, and I did not want not modify the original wiring. So I wanted to try the famous microphones. And once the change, taking care to make recordings with the original config, you can not tell the difference between originals and MS Tornadoes, except it took me back a little strings, because the magnets should be stronger than those of the ancients. But what is the sound is stunning.

    Boss HF-2 Hi Band Flanger - One of the best flanger I tested

    by manuk on 07-21-2014 08:59 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=90382" alt="" title="Boss HF-2 Hi Band Flanger - One of the best flanger I tested" /></p>The indestructible boss, bass and guitar (this is specified in the manual)

    Chillbass 1x15"sub HiFi - 2x10 "and 1x15 T HiFi" sub HiFi, all "high fidelity" ultimate!

    by Canauos on 07-21-2014 08:46 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=218416" alt="" title="Chillbass 1x15"sub HiFi - 2x10 "and 1x15 T HiFi" sub HiFi, all "high fidelity" ultimate!" /></p>ATTENTION: This review is crossed with that of 2x10 "T HiFi from the same brand. The opinion is therefore that of the whole. I was looking for my bass amplification system that is capable of reproducing the best all frequencies with the same dynamic. I play a lot on 6-string bass and strings in 4 granted. So I needed a system capable of reproducing itself very low frequencies while maintaining the slamming, clarity and a lot of dynamism. As I also love technology lamps so I went across Chillbass 100 s and 2X10 couple "T/1x15" Sub of the HiFi set. Features: Speakers: woofer (1X15 sub): neodymium Celestion NTR 2x10: 18 sound 10NW650 Tweeter: Celestion CDX1-1445 + horn H1-7050 "No bell" Passive Crossover Version: Eminence PX2 1.6K - 4 inputs (jack and Speakon) and tweeter attenuator. Housing: 13-ply poplar, m. 18 mm Handles: Recessed steel (2) Coins plastic protections. Grid lacquered black metal protection Impedance: 8 ohm 2x10 "T RMS Power: 600W Impedance: 8 ohms Frequency: 50/20000 hz Sensitivity: 103 dB/1W/1m Weight: 18kg 1x15 "Sub Power: 400W Impedance: 8 ohms Frequencies 30/250/3000Htz Sensitivity: 105 dB/1W/1m Weight: 17kg This system allows the recovery of a huge frequency range!

    Chillbass 2x10"T HiFi - 2x10 "and 1x15 T HiFi" sub HiFi, all "high fidelity" ultimate!

    by Canauos on 07-21-2014 08:40 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=218413" alt="" title="Chillbass 2x10"T HiFi - 2x10 "and 1x15 T HiFi" sub HiFi, all "high fidelity" ultimate!" /></p>ATTENTION: This review is crossed with that of 1X15 sub HiFi from the same brand. The opinion is therefore that of the whole. I was looking for my bass amplification system that is capable of reproducing the best all frequencies with the same dynamic. I play a lot on 6-string bass and strings in 4 granted. So I needed a system capable of reproducing itself very low frequencies while maintaining the slamming, clarity and a lot of dynamism. As I also love technology lamps so I went across Chillbass 100 s and 2X10 couple "T/1x15" Sub of the HiFi set. Features: Speakers: woofer (1X15 sub): neodymium Celestion NTR 2x10: 18 sound 10NW650 Tweeter: Celestion CDX1-1445 + horn H1-7050 "No bell" Passive Crossover Version: Eminence PX2 1.6K - 4 inputs (jack and Speakon) and tweeter attenuator. Housing: 13-ply poplar, m. 18 mm Handles: Recessed steel (2) Coins plastic protections. Grid lacquered black metal protection Impedance: 8 ohm 2x10 "T RMS Power: 600W Impedance: 8 ohms Frequency: 50/20000 hz Sensitivity: 103 dB/1W/1m Weight: 18kg 1x15 "Sub Power: 400W Impedance: 8 ohms Frequencies 30/250/3000Htz Sensitivity: 105 dB/1W/1m Weight: 17kg This system allows the recovery of a huge frequency range!

    Yamaha CS01 Mark II - Fun and effective

    by Geoffray.g on 07-21-2014 08:30 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=2814" alt="" title="Yamaha CS01 Mark II - Fun and effective" /></p>The basis of subtractive synthesis with a few limitations: limited 1VCO VCA

    Hartke AC150 - Acoustic Ribbon Amplifier Stéréo

    by artmusi33 on 07-21-2014 07:47 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=manufacturer&amp;manufacturer_id=562" alt="" title="Hartke AC150 - Acoustic Ribbon Amplifier Stéréo" /></p>150 Watt stereo (tri amplification), Ribbon Tweeter, 4HP "broadband" (Acute precise and clear warm, accurate bass and round ...) Designed for stage or concert halls, this amp sound reproduction impressive is ideal to amplify any acoustic or electric instruments: Guitars, Keyboards, vocals, harmonica, violin, etc. .... "Hartke put his great experience low amplification in the service of sound. The result is powerful, accurate and extremely effective. But that's not all! Revisiting the system Ribbon (ribbon tweeter) Hartke hits hard with a series that delivers a definition of rare. The sound you hear is that of your guitar ... Superb! " Features: Dimensions: 479 x 502 x 385 mm (H x W x D); Weight: 21.8 kg. - Electro-Acoustic Combo Amp 150 Watts Stereo hifi. - 4 HP 5 "(12.5cm) Ribbon tweeter + 5 x 10 cm. FACADE - 2 entries: Micro and guitar (piezo or active) - Ghost line (CD) diet, with adjustable gain and assignment effects. - 5-band graphic EQ. - Adjust other settings 3 bands dedicated to auxiliary inputs - Phase switch and anti-feedback filter (pro) adjustable on 2 levels. - Section digital effects with 100 presets. DOS - 2 Direct-out (stereo). inter with "pre" and "post" - 2 inputs Effects loop (stereo) - Pre-Amp Out - Foot switch input (EFX) - Tilt to the scene (back cutaway)

    Chillbass 100's - Great stuff to test emergency!

    by Canauos on 07-21-2014 07:33 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=216992" alt="" title="Chillbass 100's - Great stuff to test emergency!" /></p>So head lamps 100w purpose, based on the Hiwatt DR103. This version was, however, improved, more grain, more heat and especially a loyalty extended spectrum. And finally it is wired by hand in France! Specifications: Pre: 3 x ECC83, 1 x 12AT7 Power 4xEL34 Configuration: 2 inputs (normal and bright) bright and normal gain gain bass, treble, middle, presence and master volume. 2 speakers jack outputs (in parallel) Impedance: 4, 8 & 16 ohm (with switch) Send & return (used with line out and power slave) Weight: 18 kg Sun: 54 x 29 x h27 cm (+ handle) To quibble, we may regret not having DI output. But this is nothing unusual vintage head. I still removes a small point because perfection does not exist and because objectively, it is not always easy with the sound engineers when no DI. However, I found the solution. A passive DI placed between the head and cabinet. You just have that DI is equipped with a pad of at least-40db. Otherwise the microphone to the speaker, it works very well too! Just buy a good mic. Please also note Tolex. It is nice and quality, but seems quite fragile. I already made some marks and nicks on mine.

    CMAT mods Ratified - Rat the best I've ever owned

    by rogercag on 07-21-2014 07:28 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=121933" alt="" title="CMAT mods Ratified - Rat the best I've ever owned" /></p>Pedal fully analog Made in USA

    ENGL E212VHB Pro Straight 2x12 Cabinet - The top of the range 2x12

    by Vahlalafollower on 07-21-2014 06:49 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=197870" alt="" title="ENGL E212VHB Pro Straight 2x12 Cabinet - The top of the range 2x12" /></p>2x12 cabinet, equipped with Celestion V30, one of the references in the rock / metal and other field. The sound output is more than high! The front grille protects very well hp mishandling, it is very useful in small concert halls and everyone comes in! on the other hand, weight and space level, is necessarily less cool: it's heavy, and it takes almost as much space than 4x12 The sound is well defined, although a little directional. I put diffusors home TubeTown above to reduce the effect of beaming V30 that are deemed highly directional. Being granted Drop C, and playing pretty extreme music, we can say that the speaker plays its role! the large size of the beast allow it to have a good definition in the bass (the palm mute out well, though perhaps a little too much resonance with his "bhmm" kind of notes at the end: it is corrected by including molo from the EQ of the amp) If you do not have diffusors / beam-blocker, I still recommend to raise the baffle history to improve the dissemination of sound. The price / quality ratio is good, especially occasion! ENGL is deemed to make good stuff, and their expertise has been implemented on their range of baffle too. The grid is a lot when spinning with a group and the Tolex seems to hold, despite the wear of time. Due to its weight, it is better to install clockwork, your back will thank you! For me, it is the high-end 2x12! the only elements that drive change is to switch to a 4x12, which then stop the music. The only downfalls of this cabinet are "directional" next to HP (problem solved with diffusors) and its weight (partially solved by adding casters)!

    VGS R-20 CE Rose - Natural Gloss - Musical utopia favorite

    by EnjoyMusic69 on 07-21-2014 06:07 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=198626" alt="" title="VGS R-20 CE Rose - Natural Gloss - Musical utopia favorite" /></p>Hello everyone, I noticed the Specifications in this guitar info, no need to return here.

    SPL Crimson - Impressive dynamic

    by freestok on 07-21-2014 05:30 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=180149" alt="" title="SPL Crimson - Impressive dynamic" /></p>Few inputs, 4 analog and 2 digital inputs = 2 mic inputs and 2 line or 4 line inputs choice for SPDIF inputs + 2 analog inputs), but what quality!, Preamps are amazing, thoroughly there not a pet breath, nothing, all is heavy and sturdy (metal shell, not plastic like many other sound card) The headphone outputs are just wonderful, this interface supports MIDI, the Crimson can operate STANDALONE (ie not require turning on your PC to work), which means it can be used as small mixer emergency there is an auxiliary input stereo mini-jack or RCA jack that can be used for talkback (note it is not taken into account by the DAW) is just an extra comfort for your input in order to produce send it instrumental music or communicate with the artists during recording (it is thought), if you intend to use talkback, predict a little extra preamp to attack this input For monitoring, apart from 2 independent headphone outputs with their volumes, you have a main stereo XLR output and a second pair of monitor can connect to jack outputs with adjustable trim (a small screwdriver is required), you can therefore compared between two pairs of monitor with the A / B button on the interface (for good), the volume of the monitor is set using the largest button SPL CRIMSON Routing is hard, just press the right buttons to get what you want, simple, clear and effective

    Peavey Marvel Punisher Leather Guitar Strap - Basic but worth the money

    by Splonge on 07-21-2014 05:27 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=135730" alt="" title="Peavey Marvel Punisher Leather Guitar Strap - Basic but worth the money" /></p>Leather Strap distributed by Peavey, part of the Marvel collection: there are different models look more or less teens. The characteristics of the series appear to be the same, regardless of the figure. About Model "Punisher", the metal is visual rather successful. The pattern has two halves skulls in stylized graphics and gore at a time (splinters, bullet): one white and one, larger, gray. In fact, the contrast with the black strap that is poorly distinguished gray design ... so we see mostly white skull, it is a shame. In the back (in the middle) logos "Peavey" and "Marvel" written in white are a little big for my taste and a bit too visible. But some may appreciate clearly show references. The quality of the leather is good, quite thick in the main part and thinner in the small piece that allows you to adjust the length. The flip side is suede, so it's slip and it offers good comfort, especially the strap is wide enough to distribute the weight on the shoulder. Unpacking, the illustrated Surface reveals some slight fold marks that appear gradually disappear with use. They would still be better to introduce rolled rather than folded accordion strap, it would avoid this (small) inconvenience! The total length is however a fair bit: by adjusting the strap longer, they never play with the guitar on the leg (yes, I know, this is not the best position, but they are people who prefer to twist wrist and adopt fingerings for the lumberjack look ...): we therefore, the longer the guitar on the stomach, "standard" position neither too high nor too low. The shorter, the instrument can be quite high in the armpit (bassists friends, hello!) But only if the insert button strap on the guitar in the first two holes. We can then play comfortably and - for those who love, of course - but with two drawbacks: - We are left with a few inches of leather dangling since we did not use the last hole of the belt (y'en that you do not mind, but as knowledge); - More annoying: the strap is shortened, the pattern "Punisher" is positioned higher and, hence, face, we do not see more: white death's head (the most visible, so) is found at the top of shoulder ... it will undoubtedly potential spectators placed on the ceiling of benefit, but the benefit of this strap based mainly on the visual, it is a bit silly. In short, we have a pretty good strap, original design but seem a little short for some. To be selected taking into account its way to wear his bass or guitar, then. That said, for just € 18, there's no hesitation: it's well worth it and you can change its look a bit from time to time if you prefer not to use main strap. Style lovers, treat yourself!

    Boss VE-20 Vocal Performer - Genial.

    by bounougounoufou on 07-21-2014 05:24 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=94988" alt="" title="Boss VE-20 Vocal Performer - Genial." /></p>Those who say that this pedal is worth nothing, do not know: -Not read a manual -Not sing. yes because you need to know at least sing just to use it. on entering the settings, you can parameterize all effects. it's pretty intuitive and the manual in case of problems is very clear and French.

    Novation Bass Station II

    by xdm on 07-21-2014 05:11 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=180050" alt="" title="Novation Bass Station II" /></p>Cf file test, all is said.

    Seymour Duncan STK-T1N Vintage Stack Tele Rhythm

    by Qillax on 07-21-2014 03:24 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=22958" alt="" title="Seymour Duncan STK-T1N Vintage Stack Tele Rhythm" /></p>Middle pickups kind of gain for TV in Duncan, already the microphone is high it is not appropriate with standard screws, Duncan provides screws that you will target in the woods, small galley after the passage back to the plate, it took I disassembled the handle ... Once the operation is done, the result is very good there roundness is warm, the clean well respect the philosophy Tele ie it does not distort the sound we recover the bases especially fashion single coil after switching to dual mode allows for better back of drives throughout the rest of the vintage with a modern twist, I have a preference in single mode ... I combined with Duncan STK -T2B, for the passage in single mode / dual provide a push-pull 250K default installation this is dual mode, microphones I took to replace a kit DiMarzio Kotzen on a U.S. TV Standard .. . no regrets

    Fender 45-100 Light Long Scale 9050L - It sizzles and it's not hot!

    by Funky Zeit on 07-21-2014 03:13 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=131188" alt="" title="Fender 45-100 Light Long Scale 9050L - It sizzles and it's not hot!" /></p>I use these strings for 6 months now, this is a revelation! Have not tried other brands, I must say that it is more the price that attracted me. After all, it is the coiled metal wire with another flat metal, not rocket science. So no product and other fancy dipped in a miraculous product that last strings, we are in a good old classic rope like I wanted. What I like the most? Well the sound, it changes us from slamming his current team and painful that all low, there is more wealth in the medium. Contrary to what I've read, the slap pass well above (provided they do not try to sound Mark King!). What is more striking than in the Roundwound, the aging of these strings, the first few weeks, the sound slap much (without having the annoying character Roundwound), then the sound becomes muffled and chubby. I recommend these strings at very good price / quality and well vintage report!

    Line 6 StageScape M20d - ALL IN ONE

    by Misterpie on 07-21-2014 03:10 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=142380" alt="" title="Line 6 StageScape M20d - ALL IN ONE" /></p>See website Line6

    Fender Modern Player Mustang - Honey Burst Rosewood - I love it

    by cck09 on 07-21-2014 03:03 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=189063" alt="" title="Fender Modern Player Mustang - Honey Burst Rosewood - I love it" /></p>fabriquéee in China, there are 22 frets, 2 microphones for 6 positions thus q button for volume and one for tone. Guitar easy to use and easy to play especially at the beginning to make his mark.

    Akai VX90 - Blah blah blah

    by mAdVax on 07-21-2014 02:50 PM <p><img src="http://img.audiofanzine.com/image.php?lang=en&amp;identifier=id&amp;size=thumb1&amp;module=product&amp;product_id=1025" alt="" title="Akai VX90 - Blah blah blah" /></p>The feature that drew me to this machine is the function of Polyphonic filtering. Apart from one or two annoying bugs (pitch bend blocked, ...), it was pretty effective. The other feature that is found today on machines Dave Smith is the audio modulation of the cutoff frequency of the filter, which allows for fairly specific sounds. Midi implementation: nothing. Unable to edit the sounds in Midi or with a controller or with a PC. (And no backup other than the audio tape output ...) One stereo output is actually mono spent in the chorus. It has many VCO / VCF / VCA, but everything is digitally controlled and lack of precision. It is difficult to tune the frequency of the filter to play resonance. And this does not preclude the grant of duty synth each ignition: the worst of both worlds.
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